King Crimson achieved the rare feat of marrying their hard-fought, hard-hitting prog sound with the bristling energy of new wave on this 1981 triumph, which nearly cracked the Top 40. The title cut; Frame by Frame; The Sheltering Sky , and the rest of the original LP featuring Fripp, Buford, Levin and Belew is here on CD in a new stereo mix with bonus alternate mixes. The DVD-Audio disc adds a 5.1 DTS mix, hi-res stereo mix, original album mix, new album mix and even a rough mix from the original sessions. On top of that, you get the 1981 12" dance mix of Elephant Talk and other audio extras plus footage of The Old Grey Whistle Test performances, new notes co-written by Fripp and more!
Released in 1981, "Discipline" was a startling reinvention with a new line-up performing radically different material that managed to delight fans, confound critics & pick up a substantial new audience along the way.
30 years on, "Discipline" remains one of the key albums of the early 1980s and one of the most popular and influential in King Crimson's catalogue.
Discipline is the eigth studio album from King Crimson and it is a comeback album. After a 7 year hiatus (where Robert Fripp concentrated on other projects) since what most people see as their best album called Red, it is a welcome return. Robert Fripp has again drafted Bill Bruford on drums, Adrian Belew is new on vocals and guitar while Tony Levin is new on bass/Chapman stick. The mood of the album is darky playful, filled with a cerebral level of musicianship and wit. Certainly the highlight of this era of King Crimson, and highly recommended for those investigating the band for the first time.
This gig appears to be a testimony to the recuperative powers of John Wetton’s constitution. Having been out partying in the company of David Enthoven and Richard Palmer-James the night before in Munich, he still manages an impressive performance on Doctor Diamond and indeed throughout the rest of the gig. Though the good Doctor would forever elude them in the studio it seems that the band really beginning to find the soul of this song in concert. Fracture has a risky quality tonight; Bruford is in an adventurous mood whilst David’s tron is a touch out of tune.
Talk about chalk and cheese or to put it another way: what a difference a day makes. After their uneven performance at in Pittsburgh, Boz and the boys spent a day travel up to Milwaukee and washed up at the Riverside theatre. 24 hours spent away from the stage has made them hungry again, giving this gig a distinctive edge to the set. Arguably the best live rendering of Formentera Lady is to be found here; Fripp’s chords and timing are tight and consequently Boz’s vocals are focussed and sharp. Collins moves from supportive flute to bracing salvos of alto sax fired over the rhythm section inquisitive wanderings which range from sparse funk, R&B shuffle, and Elvin Jones workout. As it migrates to become The Sailors Tale, Collins’ frenetic soloing demonstrates why there was no other band quite like Crim doing the rounds back then; it’s jazz rock but not as we know it, Jim.
Compiled from the Porcupine Tree support slot in October 2006, this is a snapshot of the duo grappling with the task of combining the harmonic ambiguity of Soundscapes with some straight ahead rock grooves. With so much of Robert’s public work being taken up with ‘scaping in recent times, it’s almost a novelty to hear him rocking it up like he does on Time Groove from Boston and Queer Jazz NYC. Despite all the technology involved this is a pared-back sound compared to previous projeKcts, and there's a tentative, exploratory quality about much of the music; two players in search of that often elusive moment, an intriguing aspect which provides much of the tension and appeal.