"After hearing I Musici perform, Arturo Toscanini remarked, "Twelve individual instrumental masters, and together the finest chamber orchestra in the world." This Italian ensemble has long attracted international attention for their emphasis on brilliance, strength of attack, and high level of discipline, beginning with their first performances of seventeenth and eighteenth century Italian music. (…) I Musici over the years has constantly built upon its strengths, and the group members to apply the same dedication to their artistry as they did upon formation. Their performances can be heard on over 45 recordings, almost all under the Philips label."
Rossini’s ‘Six String Sonatas’, geschreven voor twee violen, cello en contrabas, dateren uit 1804 en werden in drie dagen gecomponeerd, Rossini was slechts twaalf jaar oud. Ze laten een verbazingwekkende kwaliteit horen en zijn af en toe haast zo goed als de werken van Haydn en Mozart.
To fulfill a commission from the National Institute of Culture and Fine Arts of Venezuela for a work to be premiered by Eugene Ormandy and the Philadelphia Orchestra at a 1966 festival in Caracas, Ginastera simply expanded much of his 1958 String Quartet No. 2 to get to his Concerto for Strings. He jettisoned the first of the quartet's five movements, shuffled the others, beefed up the instrumentation, and, in places, composed additional passages……
One of the foremost musical artists performing today, William Bennett has raised the profile of the flute to that of an instrument capable of a wide range of tonal colours, dynamics, and expression, giving it the depth, dignity, and grandeur of the voice or a string instrument.
You have reached the peak of excellence for Vivaldi's 'Four Seasons' with this performance. The previous reviewer is right in more ways than one: Vivaldi and I Musici can certainly bring one's soul closer to God as they are both divine, but so are the Stradivarius strings played to perfection by I Musici. This rendition of Vivaldi's "The Four Seasons" directed by Vittorio Negri and performed by Pina Carmirelli is truly the most divine in its fluid and passionate performance.
Pergolesi’s first opera “La Salustia” is filled with emotions and dramatic elements. It portrays the battle of two women, their struggle for power and justice. Further, it is the story of failing deceitful plots and mistrust. Young French director Juliette Deschamps, known for various opera productions in Jesi, made the old story come alive on a stage that suggests an ancient palace with large windows, later on the coliseum. The cast features well-loved Pergolesi interpreters such as Serena Malfi, Laura Polverelli or Vittorio Prato. The Accademia Barocca de I Musici Italiani, well-known for productions in historic performance practice, are led by Corrado Rovaris.