Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. Harold Ashby's a tremendous tenorist – almost like Von Freeman or Buck Hill, in that he had years of experience before getting a bit of wider experience on records – thanks to albums like this! The set's got Ashby's great raspy tone in perfect formation with a trio led by pianist Horace Parlan – himself experiencing a big new wave of exposure at the time, on some of his other Timeless sessions, which marked a move to spacious, more tradition-filled playing – which makes him a great partner for Ashby on this set!
A young man with a death wish and a 79-year-old high on life find love in Hal Ashby's cult black comedy. Deadpan rich boy Harold (Bud Cort) keeps staging elaborate suicide tableaux to get the attention of his mother (Vivian Pickles), but she keeps planning his brilliant future for him instead. Obsessed with the trappings of death, Harold freaks out his blind dates, modifies his new sports car to look like a mini-hearse, and attends funerals, where he meets the spirited Maude (Ruth Gordon). An eccentric to the core, Maude lives exactly as she pleases, with avid collecting and nude modeling among her many pursuits. To the disgust of Harold's relatives and the befuddlement of Harold's shrink, Harold falls in love with her. As lilting Cat Stevens tunes play on the soundtrack, Maude teaches Harold a valuable lesson about making the most of his time on earth.
Reissue with the latest remastering. Features original cover artwork. Drummer Eddie Marshall never cut many albums as a leader, but we'll always love him for this one – a sublime San Francisco 70s session that features tremendous vibes from the great Bobby Hutcherson! But actually, the whole group's great – and also includes George Cables on piano, James Leary on bass, and Manny Boyd on tenor and soprano sax – who works alongside Hutcherson's vibes with some of the same soulful currents as Harold Land from earlier years! The tunes are well-paced – mostly by Marshall, with a slight undercurrent of spirituality – and a lyrical beauty that almost has Bobby in "Little B's Poem" territory at times.