This is a must for all Bach admirers.
The star of the young Hungarian violinist Kristóf Baráti is quickly rising. Having won several important international competitions (the most recent first prize at the prestigious Paganini Competition in Moscow) he plays with important orchestras and conductors, like Charles Dutoit, Kurt Masur, Iván Fischer, Yuri Temirkanov and Marek Janowski. His recent recording of Beethoven’s complete violin sonatas with Klára Würtz received rave reviews: “5 stars…a great duo, comparable with Perlman/Ashkenazy, Grumiaux/Haskil, Ferras/Barbizet’ (Diapason), “A talent that comes along once in a decade, perhaps once in a generation, I don’t say it lightly, but once you’ve heard Baráti and Würtz you’ll never listen to anyone else again” (Fanfare). This recording of the great solo Bach was issued on Berlin Classics in 2009, and shows the sovereign command over the matter, and a deep understanding of the spirit of these masterworks.
Admittedly my early experience of these works was formed by the great Arthur Grumiaux' modern instrument versions, not with the ( to my ears over-romantic ) Solistes Romandes, but an earlier (I think) more incisive performance with the English Chamber Orchestra, very hard to track down, which is wonderful…
By rc_rc (Yorkshire, UK)
Together with the Talich Quartet’s accounts on Calliope, these Mozart string quintets with Arthur Grumiaux and friends represent the best currently available choices. Since the Grumiaux version was released in 1973 it has remained a stalwart of the catalog, and was previously released as part of Philips’ grandiose Complete Mozart Edition in 1991 and later was included with other chamber works in a pair of Duos issued in 1997. The analog sound has held up well compared to current standards and is perfectly acceptable, placing the musicians in a natural, believable sound-stage.
Karl Richter’s recordings of Bach’s orchestral and sacred music influenced an entire generation of musicians and listeners, presenting the conductor’s unique sound and style. When Richter recorded Bach’s works, he freed them from a ponderous tradition that had mired the music in romantic sounds and idiom. Richter lightened Bach’s music, and, with an orchestra of outstanding musicians, helped bring it toward the more modern interpretations that listeners have become familiar with today. This is still a bit far from the historically-informed performances that are pretty much the norm, but there is a unity and natural originality that comes through the music in these recordings.
'Testament' is Rachel Barton Pine's very personal homage to the music of J. S. Bach, on which she performs the composer's complete Sonatas and Partitas for Solo Violin in the acoustic of her hometown St. Pauls Church in Chicago, where she first heard and fell in love with Bach's music.