Gluck il Parnaso

Gluck – Il Parnaso confuso (Rudolph Palmer, Julianne Baird)  Music

Posted by ArlegZ at Feb. 18, 2010
Gluck – Il Parnaso confuso (Rudolph Palmer, Julianne Baird)

Gluck – Il Parnaso confuso (Rudolph Palmer, Julianne Baird)
Classical | 1 CD | EAC | APE+CUE no LOG | Scans | 336 MB | rs.com | TT 72’58
The Queen’s Chamber Band, Rudolph Palmer
Released: 2004 | Label: Albany Records
Christoph Willibald Gluck - Armonia Atenea / de Risio - Il trionfo di Clelia (2012, MDG "Scene" # 609 1733-2) [RE-UP]

Christoph Willibald Gluck - Il trionfo di Clelia, opera in 3 acts, Wq. 31 (1763)
Armonia Atenea / Giuseppe Sigismondi de Risio / Hélène Le Corre
3xCD | EAC+LOG+CUE | FLAC: 977 MB | Partial Artwork | 5% Recovery Info
Label/Cat#: MDG "Scene" # 609 1733-2 | Country/Year: Germany 2012
Genre: Classical | Style: Opera, Classical Period

"Die Sängerinnen und Sänger haben allesamt sehr intensiv an den Koloraturen gearbeitet und sind den teils horrenden Schwierigkeiten der Arien gut gewachsen … Außerdem sind die Rezitative mit hohem Konversationstempo und fantasievoller Generalbass-Improvisation umgesetzt." ~FonoForum
Christoph Willibald Gluck - Armonia Atenea / de Risio - Il trionfo di Clelia (2012)

Christoph Willibald Gluck - Il trionfo di Clelia, opera in 3 acts, Wq. 31 (1763)
Armonia Atenea / Giuseppe Sigismondi de Risio / Hélène Le Corre
3xCD | EAC+LOG+CUE | FLAC: 977 MB | Partial Artwork | 5% Recovery Info
Label/Cat#: MDG "Scene" # 609 1733-2 | Country/Year: Germany 2012
Genre: Classical | Style: Opera, Classical Period

"Die Sängerinnen und Sänger haben allesamt sehr intensiv an den Koloraturen gearbeitet und sind den teils horrenden Schwierigkeiten der Arien gut gewachsen … Außerdem sind die Rezitative mit hohem Konversationstempo und fantasievoller Generalbass-Improvisation umgesetzt." ~FonoForum

Gluck - Armide (1983) (Hickox)  Music

Posted by uff at Jan. 5, 2017
Gluck - Armide (1983) (Hickox)

Gluck - Armide (1983) (Hickox)
Opera | 3cd | EAC Rip | Flac + Cue + Log | covers
EMI Classics, 7243 4 89880 2 7 | rel: 1983 | 830Mb

I made my first acquaintance with “Armide” via the Minkowski recording when I was in the middle of a project exploring all the operatic treatments of that sorceress’ story I could find. Gluck’s version, set to essentially the same text as the earlier Lully opera (minus the prologue) was the great surprise of the project, far surpassing the various works of Haydn, Cimarosa and Vivaldi that treated Armida’s story or offered comical send-ups of it, with Gluck’s greater vigor and lyricism surpassing the austere older style of Lully’s setting.
Gluck - Orfeo ed Euridice (Renato Fasano, Shirley Verrett, Anna Moffo) [2011]

Gluck - Orfeo ed Euridice (Renato Fasano, Shirley Verrett, Anna Moffo) [2011]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 2cd, 607.18 MB
Classical | Label: Sony | Catalog Number: 88697855712

"Shirley Verrett makes a deeply impressive Orfeo, firm and pure in sound, classically restrained in expression; and her "Che farO", at a moderate, beautifully judged speed, is very finely sung, poised and quietly moving. The set is conducted by Renato Fasano, whose pacing of the score shows a very sure touch. The dance music has a grace and lightness, and a stylistic command, that one might not have expected from an orchestra which in those days seemed to be fed chiefly on a diet of Vivaldi."(Gramophone)

Gluck - La Corona (Rudolph Palmer) (2005)  Music

Posted by Ebisu at July 4, 2014
Gluck - La Corona (Rudolph Palmer) (2005)

Gluck - La Corona (Rudolph Palmer) (2005)
Classical | Eac. Flac, Track+Cue, Log | Covers | 469 MB
Label: Albany Records | Catalog N.: TROY 791-792 | TT: 106:51

Admirers of Gluck the reformer may be surprised by this thoroughly Baroque, extremely florid opera composed by him in 1765 (three years after Orfeo ed Euridice changed the landscape of opera forever). La corona , Gluck's setting of Metastasio's one-act azione teatrale (the master librettist's own term for a serenata with a plot), was commissioned by Queen Maria Theresa as a name-day gift for the emperor. Though is also styled an azione teatrale , the two operas could hardly be more different. Considering that La corona contains as treacherously difficult a collection of florid arias as can be found in any score of the period, it's hard to credit that it was created specifically to be sung by the three royal princesses; even the most adept prime donne of the period would have struggled to master its score. Due to the sudden death of the emperor, La corona was shelved and never performed in Gluck's lifetime. Atypically for a score of this quality and complexity, the composer mined relatively little of it for future works, with a notable exception in his transformation of the second part of the overture into the love duet in Paride ed Elena .

Gluck - Ezio (Michael Hofstetter, Franco Fagioli) (2008)  Music

Posted by Ebisu at July 4, 2014
Gluck - Ezio (Michael Hofstetter, Franco Fagioli) (2008)

Gluck - Ezio (Michael Hofstetter, Franco Fagioli) (2008)
Classical | Eac. Flac, Track+Cue, Log | Covers | 682 MB
Label: OEHMS Classics | Catalog N.: OC 918 | TT: 141:09

With “Ezio”, composed one year after his pioneering “Orfeo”, Gluck composed an opera seria that cannot be classified to the Gluck reform operas. Based on a libretto by Metastasio, “Ezio” premiered on December 26, 1763 at the Vienna Burgtheater. Although the opera partakes of traditional opera seria methods, an approach that reflects a new aesthetic is also perceptible, such as the tightening of the da capo arias and reduction of the overture to a one-movement sinfonia. In 2007, the orchestra of the Ludwigsburger Schlossfestspiele took a further step in the direction of stylistic authenticity and musical refinement, making it one of Europe’s top ensembles in the area of 18th century music.
Gluck Ch - Iphigenie en Aulide; La Rencontre imprevue; Don Juan

Gluck - Iphigenie en Aulide; La Rencontre imprevue; Don Juan (Gardiner)
Classical | EAC | Flac+Cue+Log+Scans | CD1: 66’57, CD2: 65’50, CD3: 73’38, CD4: 78’10 | 1.17 GB
Released: 22 Sep 2008 | Label: Erato/Warner Classics

'Iphigenie en Aulide' was the opera with which Gluck set out to conquer the lyric stage in Paris in April 1774. France was the only country to resist the fashion for Italian opera that prevailed everywhere else in civilised Europe in the first half of the 18th century and to develop instead its own national form of serious opera, the tragedie lyrique. As an acknowledged master of theItalian manner, therefore, Gluck's appearance in Paris was bound to be controversial… He had a useful ally in Paris, however, in the person of the newly crowned young queen Marie Antoinette, who had previously, as an Austrian archduchess, been one of his singing pupils at the Viennese court, and could always quell dissent during the long and stormy rehearsals for the new opera by threatening to fetch the queen. In the event the opera was a great success and Gluck quickly became established as the new saviour of French opera, a worthy inheritor of the mantle of Lully and Rameau.
Prestoclassical.co.uk
Christopher Richardson - Gluck: Iphigénie en Tauride, Wq. 46 (Live) (2017)

Christopher Richardson - Gluck: Iphigénie en Tauride, Wq. 46 (Live) (2017)
Classical, Opera | MP3 CBR 320 kbps | 01:50:58 | 256 MB
Label: Pinchgut Live | Release Year: 2017

Iphigénie en Tauride draws all of Gluck’s opera reforms to their natural conclusion and a work of great power and beauty is the result. Iphigénie en Tauride is Gluck's most dramatically involving work. It is about familial love and deep friendship, but the waters run deep, and noble aims of sacrifice, duty and protection are played out within the taut drama. Containing much of Gluck's best music.
Gluck - Iphigenie en Tauride (William Christie) (2016/2001) [BluRay-rip]

Gluck - Iphigénie en Tauride (William Christie) (2016/2001) [BluRay-rip]
BluRay-rip | AVC | MKV 1920x1080 / 6215 kbps / 29,97 fps | 108 min | 5,03 Gb
Audio: French / AC-3 / 6ch / 48.0 KHz / 448 kbps
Classical | ArtHaus Musik | Sub: English, German, French, Italian, Spanish

Gluck‘s wonderful but neglected 1774 opera Iphigénie en Tauride, inspired by the Greek legend, is treated with forceful and convincing simplicity in Klaus Guth‘s revolutionary production staged at the Zurich Opera House. The psychological drama in a tense atmosphere of fears and traumas is underlined by Guth‘s use of huge masks and enclosed spaces. Conductor William Christie and his typically transparent but never cold orchestral sound perfectly match the descriptive elements in Gluck’s score, while the Armenian mezzosoprano Juliette Galstian as a fabulously good Iphigénie, the leading American opera baritone Rodney Gilfry as Oreste and the deceased South African tenor Deon van der Walt as Pylade head a superb cast.