The Hungarian trumpeter, Gábor Boldoczki (…) received the coveted Prix Davidoff of the Reemtsma-Foundation for his "technical perfection and fully-developed artistic virtuosity", followed by the highly esteemed Prix Young Artist of the Year in 2002. After previously being awarded the Echo Klassik as Best Newcomer in October 2003, Gábor Boldoczki was again honoured by the German Phono Academy in 2008 as Instrumentalist of the Year.
Recorded for Mercury in 1976, the Nightflight sessions saw Szabo travelling to Philadelphia's Sigma Sound Studios to make an album indebted to the funky, soulful music of the legendary Philadelphia International Records home to such artists as Teddy Pendergrass, Lou Rawls, Billy Paul, Harold Melvin & The Blue Notes, The Three Degrees and The O'Jays. Deepening Nightflight's links to The Philadelphia Sound were the musicians accompanying Szabo. The rhythm section comprised members of Instant Funk a group who appeared on many Philadelphia International recordings alongside various studio players, among them keyboardist-composer Dexter Wansel and guitarist-pianist-singer Bunny Sigler who also produced the sessions. The result is a colourful fusion of lush soul music with Szabo's distinctive brand of jazz guitar.
Released in 1981 on a small Hungarian label, this 1978 session recorded in Hollywood is the guitarist's final record. "Out of the Night" interestingly pairs him with pianist Chick Corea. But the remainder of the record is a standard late-'70s fusion date without Corea, highlighted by the Return to Forever intrigue of "A Thousand Times."
Released just six months after Gypsy '66, Gabor Szabo's second album as a leader (after leaving a sublime Chico Hamilton band that also included Charles Lloyd) remains one of his finest moments in the studio. Szabo utilized the tales of bassist Ron Carter and his old boss Hamilton on drums, as well as a pair of fine Latin percussionists – Willie Bobo and Victor Pantoja. The groove quotient was very high on Spellbinder, maybe even higher than on later albums such as Jazz Raga or Sorcerer. This set is all Szabo, drifting, wafting, and soaring above all that rhythm; the track selection provides ample space for Szabo's highly individualized Eastern modal style to shine. The set opens with the title track, a snaky guitar masterpiece with plenty of droning strings and pinched chords that are followed by open string flourishes.
Macho is an album by Hungarian guitarist Gábor Szabó featuring performances recorded in 1975 and released on the Salvation label. The Allmusic review states "This is a tough, streetwise, commercial jazz album that has plenty to offer to anyone with an open mind. In the pocket, groove-soaked, and flawlessly executed".
Parsifal, Wagner’s last opera, was premièred in Bayreuth in 1882. In the fifty years of his artistic life Wagner did not only mature and outline more and more clearly the aesthetic ideals that formed the intellectual substratum of his composing activity but definitely upset the course of the history of music and of the music theatre. The wide range of his cultural interests, his operational daring, ability to blend elements of different origin, complete rejection of any form of operatic routine and grandiosity of conception make of each and every opera that he wrote a sort of artistic case in its own, where the experiences of previous works are salvaged or abandoned according to the expressive needs, which are never subordinate to contingent necessities. Performing this complex work is no simple task, but the cast on stage at Teatro La Fenice in Venice did so with flying colours.