Leclair’s contribution to music history cannot be overstated. His innovation as a composer revolutionized the French school of violin playing and his playing helped to raise the standard of play- ing in France immeasurably. By weaving together elements of Italian and French music, he created an entirely new compositional style. His duos influenced later composers such as Mozart, de Beriot, Viotti, and closer to our own time, Bartok and Berio.
Respighi’s orchestral music is loved for its lavish, operatic ‘fireworks’, its pomp and circumstance. This recording of his music for violin and piano demonstrates a more tender and intimate side to the composer, and also shows what a master he was of melody. Respighi had many influences from all over Europe and an enthusiasm for German music which perhaps explains the pleasing echoes of Brahms and Schumann among others. The sonatas, especially the later in B minor, are important works of nineteenth-century chamber music, and gems such as the Valse caressante and the Serenata are suffused with lyrical elegance which is perfectly carried off by the wonderful violinist Tanja Becker-Bender.
BIS' investigation of Greek composer Nikos Skalkottas' oeuvre is getting into his latest and least-known concerted repertoire with its Skalkottas: Concerto for Two Violins and Orchestra (1945). It features violinists Georgios Demertzis and Simos Papanas with Vassilis Christopoulos and the Thessaloniki State Symphony Orchestra in the concerto; the same body supports pianists Maria Asteriadou and Nikolaos Samaltanos in Skalkottas' Concertino (1935) and xylophonist Dimitris Dessyllas in his tiny Characteristic Piece "Nocturnal Amusement" (1949)………..Uncle Dave Lewis @ AllMusic
Édouard Lalo made his mark on French music with his opera Le Roi d’Ys, but his instrumental output also has considerable historical importance, with its resolutely innovative aims for its time. More specifically, his concertante music rewards the attentive ear with a brilliant, skilfully constructed style, studded with fresh rhythmic and harmonic inventions that renew the melodic and orchestral language of the genre.