Al Petteway continues his excellent lesson with five beautiful and evocative guitar instrumentals in the Celtic style. This time, he covers songs and effects that can be attained through a variety of tunings, including standard, dropped-D, open G and low C. Al shows you how to create your own arrangements by finding the melody within the chord structure, then fleshing it out with pipe-like drone notes, chord substitutions, moving bass lines, the rhythmic "Scottish Snap" and other Celtic-sounding elements. Embellishment techniques_right hand rolls, hammers, pull-offs, etc._help you turn basic tunes into elegant guitar pieces.
The blues has always been spiced with suggestive metaphors. This collection of bawdy blues songs celebrates the off-color blues repertoire. Fred shows you how to accompany yourself singing the songs, and how to fingerpick an instrumental version of each one. His easy-going instructional style, his tips on playing the arrangements, and his slowed-down, split-screen performances of each tune make learning easy. All the arrangements are written out in tab and music as well.
10 original fingerstyle compositions with a variety of feels and melodic approaches. 100 + minutes of video lessons.
One of the world’s foremost fingerstyle guitarists and harp-guitarists, Muriel Anderson has performed and recorded with Chet Atkins, Les Paul, Victor Wooten and the Nashville Chamber Orchestra. Her recent CD Nightlight Daylight has already won 11 national awards and Muriel is also the first woman to have won the National Fingerstyle Guitar Championship.
In this second lesson on Celtic Fingerstyle Guitar, Tony McManus explores all the dance rhythms of Scottish music, with its pipe-marches, strathspeys, single and double jigs, slip jigs and reels. Three unusual tunings are presented: CGCGCD, CGDGCD and DAAEAE. These tunings are used to better maintain the integrity of the music and Tony has been notably successful in translating the complex music of the highland bagpipes to the guitar. The idea and playing of sets is presented as well as further exploration of ornamentation techniques.
Tony McManus is an adept master of Celtic fingerstyle guitar, both in terms of adapting Celtic music to the guitar, and in its performance - presenting all its intricacies, graces, and frills, yet at the same time maintaining the pace and drive which characterizes the style of this music. In this first lesson, Tony discusses in detail the importance of ornamentations and triplets in Celtic music and how this can be technically achieved. He illustrates these ideas with several melodies played in a Dropped D tuning. This is followed by a discussion of scales and fingerings and playing reels in the DADGAD tuning. This is a challenging lesson for the fingerstyle guitar student interested in learning Celtic music from one of the finest players of this idiom.