Wynton Marsalis has been described as the most outstanding jazz musician and trumpeter of his generation, as one of the world’s top classical trumpeters, as a big band leader in the tradition of Duke Ellington, a brilliant composer, a devoted advocate for the Arts and a tireless and inspiring educator. He carries these distinctions well. His life is a portrait of discipline, dedication, sacrifice, and creative accomplishment.
Excellent addition to any prog rock music collection
I like Di Meola's music and trying to see and hear him live at any possibility (to be honest, during last some years he is very regular in our side of Europe).And I like his different music - perfect early electric jazz-fusion albums, and later world -fusion with "World Sinfonia".
This album is real transition one. After some excellent electric fusion albums and one not very successful "Splendido Hotel" trying to change things, Al Di Meola returned back to his roots. But only in part.
A brilliant set of live Snarky Puppy, in all their tightly grooving, though boundlessly creative jazzy soul glory – and it's as great as anything we've heard or seen from them to date! The "Here" of We Like It Here is Utrecht, Netherlands – where they recorded it live (with no overdubs. . .which is incredible, given the deft musicianship) – over 4 days at Kytopia Studios, complete with a studio audience. It's amazing stuff, bringing in even more diverse influences than before, including some kinda proggy funk, which suits the group and the live setting very well. The package includes the set on both CD and DVD, and the titles include "Shofukukan", "What About Me" "Sleeper" "Jambone", "Kite", "Outlier", "Tio Macaco" and "Lingus".
Reissue. Comes with new liner notes. A sweet session of 70s electric jazz – recorded as a unique live all-star outing by a group of Arista's best jazz players at the time! The group's an octet, but plays together in differing formations throughout the record – with Warren Bernhardt on keyboards, Michael Brecker on saxes, Randy Brecker on trumpet, Steve Jordan on drums, Steve Khan and Larry Coryell on guitars, Tony Levin on bass, and Mike Maineri on vibes – the last of which really make for some of the best numbers on the album! Bernhardt's keyboards are pretty good too – stepping out with a spacious, fluid feel that's never jamming – and more in the open-ended Bob James side of the spectrum, although his overall sound is a lot different than Bob's! Titles include "Blue Montreux", "Rocks", "I'm Sorry", "Floating".
After a 25 year long break they are finally back on stage Return To Forever in their original line up: The jazz rock pioneers around the keyboard player Chick Corea made a big tour from May ‘til August through the USA and Europe. With this band pianist Chick Corea entered the terrain of the electric jazz that he explored whilst playing with Miles Davis. In 1972 the first latin influenced album was released by the band, only after that Corea transferred the name to the quartet, that sounded at the beginning like a progressive rock band, but later became a milestone in the fusion era.
In a career that spans nearly four decades and includes gigs with Return to Forever, Rite of Strings and a variety of other solo and collaborative projects along the way, bassist Stanley Clarke - one of the most prominent voices in electric jazz and fusion - had seemingly covered every possible corner of the jazz landscape. But there was one avenue he had yet to explore.
"I had never done an acoustic bass record, ever," he says. "There's a long list of people on whose records I've played acoustic bass - Art Blakey, Dexter Gordon, Stan Getz, Joe Henderson and many others - but I'd never done an acoustic jazz trio record of my own. So I wanted to record one that would just feature the piano and the acoustic bass in a way that you could really hear the bass."
This long-overdue dream project becomes a reality with the release of Jazz In The Garden. For his first straightahead acoustic jazz trio recording, Clarke assembles two brilliant collaborators at the top of their respective games: pianist Hiromi Uehara and drummer Lenny White. Each represents a distinctly different generational and cultural perspective, but given the range and versatility of both, the net effect is superb. Indeed, the synergy resulting from all three of these luminaries makes for one of the most refreshing Stanley Clarke recordings in recent years.
He’s performed with the Pat Metheny Group, the Mahavishnu Orchestra, the Gil Evans Orchestra, the Al DiMeola Project and a hundred other giants of Jazz and contemporary music. He appears on over 300 CDs, including 4 Grammy winners. He’s also a longtime and cherished friend of TrueFire. So, when Danny Gottlieb called to ask whether we’d be interested in filming a jazz trio recording session featuring himself on drums and two of his best friends, Barry Greene on guitar and Dennis Marks on upright and electric bass, we jumped at the opportunity, no questions asked.