Dylan 1966

Karlheinz Freynik – Ich bin ein Deutscher! (1966) (24/44 Vinyl Rip)

Karlheinz Freynik – Ich bin ein Deutscher! Kalle singt Folk, Protest + Dylan (1966)
XLD Flac 24Bit/44.1kHz = 423 MB | Mp3 VBR0 = 84 MB | Scans 400 dpi jpg | RAR
Vinyl LP | Star Club Records 158 025 STY | Folk | Germany
Never released on CD

The record is quite scratchy, this time I did use overall cleaning for clicks and noise. Until a better copy shows up this one will have to do. Freynik also played with the City Preachers and later became a sucessful TV and film writer and producer. Today he is still active, living in Berlin.

Bob Dylan - The Real Royal Albert Hall 1966 Concert (2016)  Music

Posted by SERTiL at Dec. 1, 2016
Bob Dylan - The Real Royal Albert Hall 1966 Concert (2016)

Bob Dylan - The Real Royal Albert Hall 1966 Concert
Folk Rock, Singer-Songwriter | MP3 CBR 320 kbps | 94:11 min | 254 MB
Label: Sony Legacy | Tracks: 15 | Rls.date: 2016

For decades, Bob Dylan's performance in Manchester was incorrectly labeled, The Royal Albert Hall Concert. Now, for the first time, the REAL Royal Albert Hall concert, originally recorded for a live album by CBS Records, is finally being released as a standalone 2-CD set, titled The Real Royal Albert Hall 1966 Concert. This show is also included in the 1966 Live Recordings box set.

Bob Dylan - No Direction Home (2005)  Music

Posted by v3122 at Sept. 27, 2016
Bob Dylan - No Direction Home (2005)

Bob Dylan - No Direction Home (2005)
2xDVD9: PAL 4:3 (720x576) VBR / PAL 16:9 (720x576) VBR
Dolby AC3, 2 ch, 192 Kbps / Dolby AC3, 6 ch, 448 Kbps
Rock / Documentary | Covers | ~ 15.03 Gb

No Direction Home: Bob Dylan is a documentary film by Martin Scorsese that traces the life of Bob Dylan, and his impact on 20th-century American popular music and culture. The film focuses on the period between Dylan's arrival in New York in January 1961 and his "retirement" from touring following his motorcycle accident in July 1966…
Alien Skin Exposure X 1.0.0.1966 Revision 31868 Mac OS X

Alien Skin Exposure X 1.0.0.1966 Revision 31868 | MacOSX | 178 MB

Exposure X is the creative photo editor that handles every step of your workflow. From card transfer to organization to editing, Exposure simplifies routine tasks and delivers a rich set of tools for developing beautiful photos.
Bob Dylan - The Best Of The Cutting Edge 1965-1966: The Bootleg Series Vol. 12 (2015) [2CD] {Columbia}

Bob Dylan - The Best Of The Cutting Edge 1965-1966: The Bootleg Series Vol. 12 (2015) [2CD] {Columbia}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 877 Mb | MP3 @320 -> 348 Mb
Full Artwork @ 600 dpi (jpg) -> 485 Mb | 5% repair rar
© 2015 Columbia / Sony Music | 88875124422
Rock / Folk Rock / Folk / Roots Rock / Songwriter

"I'll do this one more time and if I can't do it, we'll do another song. I'll do any song as good as I can do it the first time." Bob Dylan says these words once his first solo take of "Love Minus Zero/No Limit" breaks down after a minute. Dylan's definition of "good" is fluid, of course. Sometimes, a first take satisfied him – "Maggie's Farm" and "Gates of Eden" are two prime examples – but often he'd find he could do a song better or at least do it differently, swapping out words, speeding up the tempo, and changing the feel, occasionally radically transforming his song.
Bob Dylan - The Cutting Edge 1965-1966: Bootleg Series Vol. 12 {Collector's Edition} (2015) [24-96] RE-UP

Bob Dylan - The Cutting Edge 1965-1966: Bootleg Series Volume 12 (2015) [Collector's Edition]
FLAC (tracks) 24-bit/96 kHz | Time - 19 hours 4 minutes 36 seconds | ~ 22,8 GB
Studio Master, Official Digital Download | Artwork: Not available (Front included)

The 18CD Collector's Edition of The Cutting Edge 1965-1966: The Bootleg Series Vol. 12 is limited to a worldwide pressing of only 5,000 copies, and includes every note recorded during the 1965-1966 sessions, every alternate take and alternate lyrics. The 18CD edition includes Dylan's original nine mono 45 RPM singles released during the time period, and rare hotel room recordings from the Savoy Hotel in London (May 4, 1965), the North British Station Hotel in Glasgow (May 13, 1966) and a Denver, Colorado hotel (March 12, 1966) as well as a strip of original film cels from "Don't Look Back". This HD version available as download coupon to Hi-Res files included in each box.
Bob Dylan - The Cutting Edge 1965-1966: Bootleg Series Vol. 12 {Deluxe Edition} (2015) [24-96]

Bob Dylan - The Cutting Edge 1965-1966: Bootleg Series Volume 12 (2015) [Deluxe Edition]
FLAC (tracks) 24-bit/96 kHz | Time - 429:46 minutes | 8,71 GB
Studio Master, Official Digital Download | Artwork: Front cover

The sessions that changed the world - The Cutting Edge 1965-1966: The Bootleg Series Vol. 12 collects outakes, rehearsals and alternate versions of songs that would later be heard on Bringing It All Back Home, Highway 61 Revisited and Blonde on Blonde. 3 albums that would go on to change the face of rock and roll forever. The Bootleg Series combs the Dylan vaults for unreleased and live recordings, and this may be the very best yet showing Dylan at his "electric" period. Importantly, The Cutting Edge 1965-1966: The Bootleg Series Vol. 12 (Deluxe) provides a rare exploration into Dylan's creative process in the studio, allowing fans to experience another side of Bob Dylan through the evolution of his songs and recordings from this truly groundbreaking period. This Deluxe edition is 111 tracks in six sets.
Bob Dylan - The Cutting Edge 1965-1966: The Bootleg Series Vol.12 (Collector’s Edition) (2015)

Bob Dylan - The Cutting Edge 1965-1966: The Bootleg Series Vol.12 (Collector’s Edition)
Folk, Blues, Classic Rock, Singer-Songwriter | MP3 CBR 320 kbps | 1141:34 min | 2.71 GB + 5% Recovery
Label: Columbia / Legacy | Tracks: 379 | Rls.date: 2015

The latest chapter in Columbia/Legacy’s highly acclaimed Bob Dylan Bootleg Series focuses on the legendary studio sessions that produced Bringing It All Back Home, Highway 61 Revisited and Blonde On Blonde, the trilogy of album masterpieces which secured Dylan’s reputation as a songwriter and performer of unprecedented depth, power and originality while significantly impacting the course of popular music and culture. All recordings included in The Cutting Edge 1965-1966: The Bootleg Series Vol. 12 are pristine transfers and mixed from the original studio tracking tapes.
Bob Dylan, Johnny Cash, and The Nashville Cats - A New Music City (2015) [2CD] {Legacy}

Bob Dylan, Johnny Cash, and The Nashville Cats - A New Music City (2015) [2CD] {Legacy}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 728 Mb | MP3 @320 -> 275 Mb
Full Artwork @ 600 dpi (jpg) -> 59 Mb | 5% repair rar
© 2015 Legacy / Sony Music | 88875066552
Country / Country-Rock / Progressive Country

A companion to the 2015-2016 Country Music Hall of Fame exhibit of the same name, Dylan, Cash and the Nashville Cats: A New Music City is a double-disc history of the moment when country met rock – or when rock met country, as the case might be. In this particular reading of country-rock history, the movement begins in 1966, when Bob Dylan headed down to Nashville to cut Blonde on Blonde with a crew of the city's renowned studio musicians. Prior to that, country could be heard in rock & roll mainly through rockabilly, a music that functions as prehistory on this collection, present through the presence of Sun veteran Johnny Cash but not much else.
VA - Dylan, Cash, and The Nashville Cats: A New Music City 2CD (2015)

VA - Dylan, Cash, and The Nashville Cats: A New Music City 2CD
Country, Folk, Rock | MP3 CBR 320 kbps | 114:39 min | 276 MB + 5% Recovery
Label: Legacy Recordings | Tracks: 36 | Rls.date: 2015

Bob Dylan bucked executives at his record label and surprised his fans when he came to Nashville in 1966 to record his classic album Blonde on Blonde. Working with the city s unmatched session musicians, Dylan produced a rock & roll masterpiece and went on to record two more albums there. Dylan s embrace of Nashville and its musicians the Nashville Cats inspired many other artists, among them Neil Young, Joan Baez, and Leonard Cohen, to follow him to Music City. Around the same time, Johnny Cash was recruiting folk and rock musicians including Dylan to appear on his groundbreaking network television show, The Johnny Cash Show, shot at the Ryman Auditorium, home of the Grand Ole Opry.