Don Pullen

George Adams / Don Pullen Quartet - City Gates (1983) {2015 Japan Timeless Jazz Master Collection Complete Series}

George Adams / Don Pullen Quartet - City Gates (1983) {2015 Japan Timeless Jazz Master Collection Complete Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 231 Mb | MP3 @320 -> 102 Mb
Full Artwork @ 600 dpi (png) -> 257 Mb | 5% repair rar
© 1983, 2015 Timeless Records / Solid Records Japan / Ultra-Vibe | CDSOL-6407
Jazz / Post Bop / Avant-Garde Jazz / Saxophone / Piano Trio

Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. George Adams and Don Pullen knock it out of the park on this one – finding great company in each other's presence, and really moving things forward in the process! The set begins with a long track titled "Mingus Metamorphosis", and that really sums up the spirit of the record – an 80s reworking of all the ideas that the players had learned from Mingus, but with an individual, personal sense that's all their own – and very different than some of the more standard modes of the Mingus Dynasty group that continued the legacy in a more direct manner. Adams is bold one minute, lyrical the next – and plays both tenor and flute – alongside Pullen on piano, Cameron Brown on bass, and Dannie Richmond on drums.
George Adams & Don Pullen Quartet - Earth Beams (1980) {2015 Japan Timeless Jazz Master Collection Complete Series}

George Adams & Don Pullen Quartet - Earth Beams (1980) {2015 Japan Timeless Jazz Master Collection Complete Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 264 Mb | MP3 @320 -> 94 Mb
Full Artwork @ 600 dpi (png) -> 264 Mb | 5% repair rar
© 1980, 2015 Timeless Records / Solid Records Japan / Ultra-Vibe | CDSOL-6406
Jazz / Post Bop / Avant-Garde Jazz / Saxophone / Piano Trio

Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. A firey session from the quartet of George Adams and Don Pullen – a set that has the group stretching out in some of their most spiritual modes, yet still finding plenty of time to swing as well! Adams is tremendous on tenor – a very fresh voice in the post-Coltrane world, with phrasing that is all his own – even more amplified when he switches to flute – and Pullen's got this ability to go outside, and show his knowledge of the darker corners of the keyboard – yet never let that side of his playing overwhelm things, possibly because the rhythmic accompaniment from Cameron Brown on bass and Dannie Richmond on drums is so strong. Tracks are all long, and very individual – with the group in high spirits on the titles "Earth Beams", "Magnetic Love Field", "Saturday Nite In The Cosmos", "More Flowers", and "Dionysus".
Don Pullen & The African Brazilian Connection - Live...Again (1995) [repost]

Don Pullen & The African Brazilian Connection - Live…Again (1995)
EAC Rip | FLAC (tracks+.cue+log) - 4736 MB | Scans | MP3 CBR 320 kbps (LAME 3.98) - 175 MB
Genre: jazz | RAR 5% Rec. | Label: Blue Note | #CDP 8-30271-2 | 1995

"Music is the healing force of the universe," said sax master Albert Ayler. Here's the proof. Keyboardist Don Pullen is successfully fighting cancer. Recorded live at Montreux in July of 1993, Live… Again is so strong. So beautiful. So joyous. So full of life. Pullen's African Brazilian Connection band features Carlos Ward's brilliant, tart alto saxophone; Nilson Matta's pulsating, propulsive acoutic bass; J.T. Lewis' sinewy and sensitive drum kit; and the firelight of Senegalese percussionist/vocalist/composer Mor Thiam. Listening to Pullen's music is like taking a long, deep drink of medicinal sonic refreshment.

Don Pullen - The Best Of (1998)  Music

Posted by Bezz at May 23, 2011
Don Pullen - The Best Of (1998)

Don Pullen - The Best Of (1998)
EAC rip | FLAC + CUE + LOG | Full Scans | 370 Mb (Incl. Recovery)
Genre ~ Avant-Garde Jazz, Post-Bop, Piano Jazz | Label ~ Blue Note Records

The Best of Don Pullen collects nine highlights from Don Pullen's 11 years with Blue Note. Spanning the late '80s and early '90s, the compilation includes tracks culled from the pianist's time with the George Adams Quartet, his trio albums (one with Gary Peacock, one with Tony Williams) and cuts he recorded with his group the African-Brazilian Connection. ~ AllMusic

Don Pullen - New Beginnings (1989) {Blue Note}  Music

Posted by ruskaval at Nov. 7, 2010
Don Pullen - New Beginnings (1989) {Blue Note}

Don Pullen - New Beginnings (1989) {Blue Note}
EAC rip (secure mode) | FLAC+CUE+LOG -> 248 Mb | MP3 @320 -> 117 Mb
Full Artwork @ 300 dpi (jpg) -> 23 Mb
© 1989 Blue Note / Capitol | CDP 7 91785 2
Jazz / Post Bop / Avant-Garde Jazz / Piano

Although it may be a bit of a simplification, on New Beginnings pianist Don Pullen sets up fairly simple structures (some of which could be grooves for Ramsey Lewis) and then, after stating the theme, tosses in playful runs that are often quite outside, essentially putting his original style from the 1960's in a slightly commercial 1980's setting. Pullen plays quite rhythmically during his more intense phrases and displays a sly sense of humor. Both bassist Gary Peacock and drummer Tony Williams get a generous amount of solo space on the trio date and they are not overshadowed by the leader's often-fanciful flights.

Don Pullen - Mosaic Select 13 (2004) [3CD]  Music

Posted by ruskaval at Dec. 13, 2009
Don Pullen - Mosaic Select 13 (2004) [3CD]

Don Pullen - Mosaic Select 13 (2004) [3CD]
EAC rip (secure mode) | FLAC+CUE+LOG -> 1,1 Gb | MP3 @320 -> 460 Mb
Full Artwork @ 300 dpi (jpg) -> 53 Mb
© 2004 EMI / Mosaic Records | MS-013 / 7243 5 78108 2 1
Jazz / Post Bop / Modern Creative / Piano


Don Pullen - Mosaic Select 13 (2004) [3CD]

The 13th volume in Mosaic's limited-edition Select series showcases the late work of the late pianist and composer Don Pullen. Contained within the box are the two fine albums by the George Adams-Don Pullen Quartet, Breakthrough and Song Everlasting. These two recordings were the first the pair had done domestically. The band's previous output was released on Soul Note, and musically very good. Both Blue Note albums are simply stunning. The interplay between the pianist and saxophonist Adams was near symbiotic and was augmented by the stellar rhythm section of bassist Cameron Brown and drummer Dannie Richmond. Three of the four men – excepting Brown – were alumni of the Charles Mingus band. These two albums are the best of what post-bop jazz had to offer in the 1980s.
Don Pullen & The African-Brazilian Connection - Ode To Life (1993) {Blue Note}

Don Pullen & The African-Brazilian Connection - Ode To Life (1993) {Blue Note}
EAC Rip | FLAC with CUE and log | scans | 349 mb
MP3 CBR 320kbps | RAR | 135 mb
Genre: jazz

Ode To Life is the 1993 CD by Don Pullen & The African-Brazilian Connection. Released by Blue Note, it is a tribute to his former musical associate George Adams.
Don Pullen - Richard's Tune (1975) {Sackville-Delmark SK 3008 rel 2014}

Don Pullen - Richard's Tune (1975) {Sackville-Delmark SK3008 rel 2014}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 265 Mb | MP3 @320 -> 142 Mb
Full Artwork @ 300 dpi (jpg) -> 12 Mb | 5% repair rar
© 1975, 2014 Sackville / Delmark Records | SK 3008
Jazz / Modern Jazz / Avant-Garde Jazz / Piano

Really wonderful work from Don Pullen – solo material, and some of his most soulful sides of the 70s – done in this long-flowing style that's completely sublime! Pullen's really at his best in this format – working in a way that's very free, but never overindulgent or overexpressive in the wrong way – a kind of magical connection between his soul and the piano, with results that are still among some of the greatest in the genre. All tracks are long, and very beautiful – and titles include "Richard's Tune", "Big Alice", "Song Played Backwards", and "Suite (Sweet) Malcolm". Features two unissued bonus tracks – "Kadji" and an alternate of "Big Alice".
George Adams & Don Pullen Quartet - Live At Montmartre (1985) {2015 Japan Timeless Jazz Master Collection Complete Series}

George Adams & Don Pullen Quartet - Live At Montmartre (1985) {2015 Japan Timeless Jazz Master Collection Complete Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 349 Mb | MP3 @320 -> 119 Mb
Full Artwork @ 600 dpi (png) -> 262 Mb | 5% repair rar
© 1985, 2015 Timeless Records / Solid Records Japan / Ultra-Vibe | CDSOL-6379
Jazz / Post Bop / Piano / Saxophone / Guitar

Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. Solidly soaring work from tenorist George Adams – recording live here with pianist Don Pullen, one of his best musical partners during the 80s! The album's got a bit more of a bite than some of the pair's studio sessions – a bit straighter overall, but recorded with a nice degree of energy, and some long tracks that really let both players open up nicely – in a combo that also features John Scofield on guitar, Cameron Brown on bass, and Dannie Richmond on drums. The inclusion of Scofield's guitar changes up the group's sound in a nice way – adding in some more chromatic elements that really stand out – and titles include "IJ", "Flame Games", "Song Everlasting", and "Forever Lovers".
George Adams & Don Pullen - Melodic Excursions (1982) {2015 Japan Timeless Jazz Master Collection Complete Series}

George Adams & Don Pullen - Melodic Excursions (1982) {2015 Japan Timeless Jazz Master Collection Complete Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 234 Mb | MP3 @320 -> 91 Mb
Full Artwork @ 600 dpi (png) -> 266 Mb | 5% repair rar
© 1982, 2015 Timeless Records / Solid Records Japan / Ultra-Vibe | CDSOL-6378
Jazz / Post Bop / Avant-Garde Jazz / Piano / Saxophone

Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. One of the most beautiful albums ever cut by the team of reedman George Adams and pianist Don Pullen – a spare set of duets that really lets both players open up in their most soulful styles! The set begins with a pretty freewheeling vibe – one that might almost make you doubt the "melodic" in the title – but soon settles into that gently spiritual style that both players brought to their work at the time – almost lyrical at points, but always with deeper ideas at play – and perfectly balanced out between the solo passages of Adams and Pullen!