Motown's series of Commodores two-fers paired Hot on the Tracks with In the Pocket and, in doing so, spanned a rather drastic breach in the group's evolution. Lionel Richie and company had recorded Hot on the Tracks just as they were hitting their stride in the mid-'70s, fresh off the burgeoning, yet still relatively modest, success of Caught in the Act and Movin' On. It's an excellent album, surely one of the group's best. On the other hand, the Commodores had recorded In the Pocket in 1981, after five steady years of chart-topping quiet storm ballads and a gradual shift from loose funk to stiff disco. Furthermore, by the time the Commodores recorded In the Pocket, Richie had become the group's de facto hitmaker and was on the brink of jumping ship for an incredibly popular solo career.
Recorded live at the Fabrik in Hamburg, Germany in 2007, this special concert featured the complete Blood On The Highway album plus a selection of Uriah Heep and Ken Hensley classics. Featuring Ken Hensley on Hammond, guitar and vocals and his Live Fire band, plus special guests Jorn Lande, John Lawton, Eve Gallagher and others.
On the Brink is a collection of 20 previously uncomped and absolutely superb UK instrumentals from the '60s and early '70s, assembled by legendary psych musician and Psychic Circle label-head, Nick Saloman (The Bevis Frond). Presenting session men discovering sitars, orchestras getting into the freaky side of things, hip theme tunes, Hammonds, fuzz and brass. Somehow sophisticated and cheesy simultaneously, these acts created their own musical world of Chelsea apartments, mini-mokes, dark velvet bespoke tailoring and the dolliest birds this side of Battersea Bridge. Welcome to the soundtrack of your own unmade Swinging London movie. Artists include: Mike Vickers, the Jim Sullivan Sound, the Shock Absorbers, Wynder K. Frog, Rita, Offside, the Les Reed Orchestra, David Smith, the Keith Mansfield Orchestra, the Dave Davani Four, the Fidd, Ken Woodman's Piccadilly Brass, the John Schroeder Orchestra, Trax Four, the Mike Cotton Sound, Lee Mason and his Orchestra, the Vic Flick Sound, the Chris Barber Soul Band, Brian Bennett and Stanley Myers.
BLOOD OF THE NATIONS is the twelfth studio album by German heavy metal band Accept. It is the band's first studio recording since 1996's Predator and the first album to feature vocalist Mark Tornillo and drummer Stefan Schwarzmann. It is the first Accept album without Udo Dirkschneider on vocals since Eat the Heat (1989), and the band's the first album to feature guitarist Herman Frank since Balls to the Wall (1983). Accept returned in 2010 with this superb slap of heavy metal. There is a definite old school vibe to the music, just as there should be. New singer Mark Tornillo is the ace in the sleeve. He has an excellent, raw voice that fits the music.
Many men try to fill their father's shoes when they join the family business. Few, however, must prove they are up to the task in front of an audience as large as the one that watched Big Bill Morganfield. Blues lovers the world over revere his late father, Muddy Waters. Morganfield didn't take up the challenge until several years after his dad passed away in 1983. When he realized he wanted to delve into the world of blues as his father had, he purchased a guitar, intending to pay homage to the…
Peter Ustinov first assayed the role of Agatha Christie's Hercule Poirot in this suspenseful 1978 murder mystery. Longtime Fellini collaborator (and Godfather composer) Nino Rota matches the onscreen tension.