To celebrate Arvo Part's 80th birthday, Gimell presents a new recording of some of the Estonian composer's finest a cappella choral works. This is the first album of contemporary music from The Tallis Scholars since their famous 1984 recording of works by John Tavener. The program here includes several major works including the Magnificat, Sieben Magnificat-Antiphonen, Triodion and I Am the True Vine. The album's title refers to the compositional style Part developed in the 1970s and now employs in most of his works. This simple style was influenced by the composer's mystical experiences with sacred chant. Tintinnabuli works often have a slow and meditative tempo and a minimalist approach to both notation and performance.
Te Deum is a setting of the Latin Te Deum text, also known as the Ambrosian Hymn attributed to Saints Ambrose, Augustine, and Hilary, by Estonian-born composer Arvo Part commissioned by the Westdeutscher Rundfunk Radio in Cologne, Germany in 1984. Dedicated to the late Alfred Schlee of Universal Edition, the WDR Broadcast Choir premiered the Te Deum under the direction of conductor Dennis Russell Davies on January 19, 1985. The Te Deum plays an important role in the services of many Christian denominations, including the Paraklesis (Moleben) of Thanksgiving in the Eastern Orthodox Church. Because of the unusual instrumentation Part employs, his Te Deum is not suited for use within the Orthodox Church.
Marshalling orchestral and choral forces under the direction of Tõnu Kaljuste, this new Arvo Pärt album, produced by Manfred Eicher and realized, like all Pärt’s ECM discs, with the composer’s participation, is a major event. Sacred music predominates, by turns monumentally powerful and tenderly fragile.
"Marx and Lenin probably would not have appreciated the irony, but after decades of Communist repression of religion, the former Soviet bloc is the source of a profound outpouring of explicitly Christian expression. This is manifested in the music of such composers as Henryk Gorecki, a Pole, and Arvo Pärt, an Estonian. Part, a refugee from serialism, here writes in a quasi-minimalist style that he calls "tintinnabuli," a sound that echoes medieval composition. A fan of vocal music ("The human voice is the most perfect instrument of all"), he uses choruses to superb effect. This disc includes some of his best work, including the popular Magnificat, beautifully rendered by the Theatre of Voices under Paul Hillier."
Sarah Bryan Miller - Amazon.com