Along with the Shirelles and the Ronettes, the Shangri-Las were among the greatest girl groups; if judged solely on the basis of attitude, they were the greatest of them all. They combined an innocent adolescent charm with more than a hint of darkness, singing about dead bikers, teenage runaways, and doomed love affairs as well as ebullient high-school crushes. These could be delivered with either infectious, handclapping harmonies or melodramatic, almost operatic recitatives that were contrived but utterly effective.
While comic books trace their origins to the late 19th century, Superman, who debuted in 1938's , is virtually synonymous with the medium. Yet, as Superman: the Complete History shows, the Man of Steel has also made a lasting impact in comic strips, film, toys, TV, radio, and even on Broadway. In this beautifully composed volume, Les Daniels collects rare and never-before-seen early artwork by Superman's teenage creators, Jerry Siegel and Joe Shuster (including a two-page doodle from 1936 featuring early Superman costume designs), and he chronicles the evolution of the character from an orphan alien comics hero to a complex multimedia icon. Entire pages are devoted to photographs of the various costumes worn by TV and film incarnations, of numerous action figures and related toys, and of movie poster and stills. Several comics stories are also reproduced in their entirety. Almost as impressive as the stunning art design is Daniels's narrative: covering the 60 years from 1938 to 1998, he collects interviews with several writer-artist teams that detail the changes in the Man of Steel and his relationships with Lois Lane, Jimmy Olsen, Lex Luthor, and Perry White. Daniels's examination of the "Death of Superman" story arc, in particular, is a fascinating study of Superman's commercial and archetypal appeal. The final pages preview Superman tales by Barry Windsor-Smith and Alex Ross (whose beautiful painted graphic novel Kingdom Come turned many heads). --
….embedded in the trunk of the scion of the godtree, it contains the essence of the maddest of the Ten Who Were Taken…The Dominator.
Defeated by the Lady and cast from this world, all that was left of him was a foul trace of lingering evil. But the graveyard that was once the Barrowland contains more secrets than dead. All who would possess the power of the Dominator are drawn to the spike. A foolhardy band of thieves is the first to reach it, and a rapacious and malign spirit is unleashed on an unwary world. The forces gather, sides are drawn, and mortal men can only die as the Dark Lords battle for domination.