The Best (international version, US version - Number Ones) is the second greatest hits compilation by American recording artist Janet Jackson, released on November 17, 2009 by Universal Music Enterprises (UMe). The double-disc album is composed of 33 of her number one hit singles spanning various music charts across North America, Europe, Australia, New Zealand, Japan and South Africa. Number Ones collects singles from her third studio album Control (1986) to her tenth studio album Discipline (2008), and was made possible as a joint venture between UMe and EMI Music.
A sublime listening experience of superior reggae music - This essential deluxe edition of ‘Night Food’ features an astonishing 11 previously unreleased works & outtakes, never made the final cut. Comprising Leroy Sibbles, Earl Morgan and Barry Llewellyn, the Heptones first burst onto the Jamaican music scene with a series of sublime rock steady and reggae classics recorded for Coxson Dodd’s celebrated Studio One enterprise. By the mid-70s, the trio were regularly recording for Harry Johnson at his studio in Kingston, having scored big with the producer with ‘Book Of Rules’, a highlight of the 1972 cult movie classic, ‘The Harder They Come’. Working at Harry J’s, the group cut enough material for two albums, although only 10 of the tracks were ultimately selected to comprise the new LP, which in March 1976 saw issue as ‘Night Food’.
VA - A Time To Remember 1940-1949: 10 CDs each one including an exclusive 20-track music compilation of original hit recordings by the original artists.
Reissue with latest 2014 DSD remastering. Comes with liner notes. A great little set – never issued before, but recorded at the same time as Wilen's classic 1959 album Barney, caught live at the Club St-Germain with a group that includes Kenny Dorham on trumpet, Duke Jordan on piano, Paul Rovere on bass, and Daniel Humair on drums. Like the Barney album, these tracks are fantastic – some of the most open-ended playing that Wilen ever did in the 50s, and proof that his tenor work was some of the best jazz coming out of Europe in the postwar years! All tracks are long – and titles include "Reets & I", "The Best Things In Life Are Free", "All The Things You Are", "Round Midnight", and "Time On My Hands".
In 1964, when this concert at New York City's legendary Copacabana night club was recorded, Sam Cooke was at the top of his game, having charted numerous times with his unique blend of pop and soul. The success doesn't seem to have gone to his head, though: he sounds relaxed and conversational throughout this intimate performance. Accompanied by a band that includes Bobby Womack on guitar, Cooke brings his R&B tendencies further to the fore than on his immaculately produced studio work. He moves deftly through his own hits, like "You Send Me" and "Twistin' The Night Away," but it's on the folk songs "If I Had A Hammer" and "Blowin' In The Wind" that he really stretches out, proving himself a gifted interpreter unbound by stylistic constrictions. At The Copa is an essential part of the Cooke canon.
Pure and simple genius from trumpeter Charlie Shavers – a player with a sweet tone and a fluid groove – stepping out here with great accompaniment from pianist Ray Bryant! The CD brings together work from the albums Charlie Digs Paree and Charlie Digs Dixie – both originally recorded for MGM Records in the late 50s, and done in a clean, uncluttered style that really brought a strong focus to Shaver's solos, but also gave some excellent rhythmic support from Bryant – working here at the height of his early powers, in a mode that's clearly relaxed enough to get with the spirit of each different session.
Under the watchful eye of famed producer Michael Cuscuna, this nine-CD set serves as a compilation of Stitt's 1950s and 1960s Roost LPs. This release also features a 28-page booklet consisting of comprehensively annotated liners. Moreover, the record label does its best to convey the artistic element via a series of black-and-white photos of Stitt and his sidemen amid anecdotes by many of the late saxophonist's affiliates. Interestingly enough, seven of the original LPs did not list personnel. In some instances, guesses were made, although most of these tracks are well-documented, thanks to the producer's diligence and painstaking research. Artists such as drummer Roy Haynes, bassist/composer Charles Mingus, and pianist Harold Maber represent but a few of Stitt's accompanists.