The Blues Masters series, much to Rhino`s credit, adopts an expansive definition of blues, allowing the likes of Count Basie, Blind Lemon Jefferson, Muddy Waters and even Louis Prima admission. There is none of the purist`s quibbling over strict 12-bar form or the relative significance of prewar and postwar styles.
What Rhino delivers instead is the blues in all its myriad guises. This music is old and new, black and white, acoustic and electric, folksy and jazzy, performed by women and men, and yet it is all still blues at its core.
Each box contains 25 slipcase CDs, a booklet (up to 186 pages) and an index. The booklets contain extensive notes (Eng/Fr) with recording dates and line-ups. 31 hours of music in each box, totalling 1677 tracks Each track has been restored and mastered from original sources. The only reason I can think of for there not yet being a review of these four boxed sets, is that those who own them are just too busy having one hell of a blast listening to them. Some people moan about the 50 year copyright law for audio recordings in Europe, but without it this highly entertaining, eye-opening and educational undertaking could never have taken place. These 100 discs (spread over four boxed sets of 25 discs) tell the story of jazz from 1898 to 1959.
Aaron Thibeaux "T-Bone" Walker was a critically acclaimed American blues guitarist, singer, songwriter and multi-instrumentalist, who was an influential pioneer and innovator of the jump blues and electric blues sound. In 2011, Rolling Stone magazine ranked him number 67 on its list of "The 100 Greatest Guitarists of All Time".
The last truly indispensable disc of the great guitar hero's career, and perhaps the most innately satisfying of all, these mid-'50s recordings boast magnificent presence, with T-Bone Walker's axe so crisp and clear it seems as though he's sitting right next to you as he delivers a luxurious remake of "Call It Stormy Monday." Atlantic took some chances with Walker, dispatching him to Chicago for a 1955 date with Junior Wells and Jimmy Rogers that produced "Why Not" and "Papa Ain't Salty." Even better were the 1956-1957 L.A. dates that produced the scalding instrumental "Two Bones and a Pick" (which finds Walker dueling it out with nephew R.S. Rankin and jazzman Barney Kessel).
CDs from this collection began to appear in the sale of one after the other in early 1998. The collection was designed primarily for fans of blues and those wishing to join him in France, Canada and other French-speaking countries, as its literary part was originally made in French and it seems and has not been translated into other languages.
Blues is recognized as one of the musical genres that had the greatest influence on the musical history of the past century, becoming staple precursor and even integrated into genres like jazz, rock, country and pop. Blues has always been considered a feeling. This double album gives a compilation of some of the major themes of famous performers in the genre, classical and modern, such as John Lee Hooker, Muddy Waters, B. B. King, Stevie Ray Vaughan or The Black Crowes among others. The launch of the work was done about the celebration in the USA of 'Year of the Blues'.
While credited to Rusty Zinn & the Roadmasters, the new CD Live could easily have been credited to Kim Wilson whose vocals and harp are heavily featured on this disc (and who is introduced at the recordings beginning. Recorded at Moes Alley in Santa Cruz, California on August 2, 1996, this spirited live recording has a terrific band that also includes pianist Fred Kaplan, bassist Larry Taylor and drummer Richard Innes on some very spirited performances…..