Official reissue of this legendary 1970 heavy psych acid guitar rock album from one of New Zealand’s most infamous bands. Newly remastered and includes 4 bonus tracks and full color booklet with photos, extensive liner notes, and lyrics! Full tilt wah wah fuzz guitar in all it’s glory!
This two-fer combines Stoned Soul Picnic (1968) and Age of Aquarius – the 5th Dimension's (5D) third and fourth long players – and a pair of extra tracks – onto one CD.
Anna Faris plays the lead (and only she could play a part like this and make it hysterically funny), who gets stoned early in the day and then eats a plateful of her roomie's cupcakes without knowing they're chockfull o' pot. The film consists of her misadventures trying to get through a mundane day–getting more pot, replacing the cupcakes, paying her electric bill, going to an audition–while completely stoned out of her mind.
With The Sex Lives of Cannibals, Maarten Troost established himself as one of the most engaging and original travel writers around. Getting Stoned with Savages again reveals his wry wit and infectious joy of discovery in a side-splittingly funny account of life in the farthest reaches of the world. After two grueling years on the island of Tarawa, battling feral dogs, machete-wielding neighbors, and a lack of beer on a daily basis, Maarten Troost was in no hurry to return to the South Pacific. But as time went on, he realized he felt remarkably out of place among the trappings of twenty-first-century America. When he found himself holding down a job—one that might possibly lead to a career—he knew it was time for him and his wife, Sylvia, to repack their bags and set off for parts unknown.
Baldassare Galuppi held the position of church organist, from which he composed operas for the Italian stage. Since his forte was the keyboard, his operas have nice harpsichord recitatives (which usually I detest) and the harmonics are contrapuntal. Galuppi as a youth had studied counterpoint under Antonio Lotti, the first organist at St Mark's. Galuppi became cembalist in the great opera houses of Venice, and was involved in the first presentations of Vivaldi's operas there. Galuppi himself wrote at least 111 operas, the best of which are collaborations with the librettist Goldoni. The young Mozart reused some of the librettos that already existed in settings by Galuppi, and the mature Mozart raised to sublime heights the dramma giocoso form which Galuppi practically invented. This release supplies a missing link between Mozart and the opera world before his time.
This disc strikes me as an ideal introduction to the music of Turkey’s greatest composer. Ahmed Adnan Saygun’s style might be described as “Szymanowski with a primal rhythmic feel.” If you love the composer’s First Violin Concerto then you will find here a very similar exoticism, nocturnal atmosphere, and love of voluptuous textures. The harmonic style is intensely chromatic, but also highly melodic. Like Bartók in his last period, Saygun’s handling of tonality mellowed toward the end of his life, which makes the Cello Concerto more consonant than the Viola Concerto, but both works are absolutely gorgeous and masterpieces of their kind. It’s positively criminal that no one plays these pieces regularly in concert. The performances here are excellent. Tim Hugh is a well-known cellist, and he pours on the tone with all of the rhapsodic abandon that Saygun requires. Mirjam Tschopp also is a superb violist, with a big, beefy tone that never gets swamped by the intricate orchestration. It’s also very rewarding to hear a Turkish orchestra in this music–and to find that it plays beautifully under Howard Griffiths.
Jim Oliver, Emmy Award-winning performer, and Jorge Alfano, world music multi-instrumentalist, envelop you in a sensual and warm musical ambiance. The Musical Massage Series features instrumental works that immerse the listener in an ambiance of relaxation, deep healing, and rejuvenation. This is music that was created to be heard, felt, and absorbed. A sonic massage for the mind, body, and soul…