The early 70's saw a genre of film that involved rural America, country bumpkins, as it were. One of the best was Southern Comforts. These movies really exist as an excuse for the women to get naked, and get naked they do. There are 3 main girl characters who get stranded in the sticks when their car breaks down.
The impeccable steel guitar sound of the great Russ Hicks is the driving force behind Barefoot Jerry, whose 1971 debut Southern Delight and self-titled 1972 follow-up make up this welcome reissue.
"Country Cuzzins"A young woman living in L.A. goes back to her family's homestead way up in the mountains for a family reunion. At first put off by her relatives' hillbilly ways, she soon decides to let her hair down and join in the fun. Before she leaves she invites them all to stop by her place in Los Angeles if they're ever in the area. They soon are, and they do. "Midnite Plowboy" Junior comes from the country to Hollywood where he soon ends up living in a house full of prostitutes. As payment for his rent, Junior is assigned the task of driving the girls around in a van that doubles as a place to have sex.
If what you want is a crackerjack coupling of Tchaikovsky's Violin Concerto and his First Piano Concerto, this disc is the one to get. With the ardently noble 1971 Nathan Milstein recording of the Violin Concerto with Claudio Abbado conducting the Vienna Philharmonic joined to the recklessly passionate 1973 Martha Argerich recording of the Piano Concerto with Charles Dutoit conducting the Royal Philharmonic, both performances are easily as good as the very best ever recorded.
Woodwind-player Seppo "Paroni" Paakkunainen has had a long career as a session musician, band leader and arranger, with a stylistic spectrum encompassing rock, pop, jazz, folk and classical. On the progressive front he has been the driving force behind the progressive folk group Karelia, while his horns have graced the albums of, among others, Wigwam, Jukka Tolonen and Pekka Pohjola. His first bonafide solo album, "Plastic Maailma", is a kind of sweep through those many styles, progressive in the sense that styles are juxtaposed and explored with little prejudice…
Little Feat were on Warner Bros Records from 1971's Little Feat through 1990's Representing the Mambo, but for a full decade of those 20 years, the band was inactive. …these albums have the songs and sensibility that built their legacy, which does include their remarkably successful return in 1988. All the albums are presented as mini-LPs and the set is affordable, making this a very appealing bargain for all kinds of Feat fanatics.
My absolute favorite Black Jazz album was Infant Eyes, by pianist Doug Carn and his wife, Jean Carn. The record had a sensual, powerful feel. What made the album a hit were the soulful lyrics the Carns crafted for jazz standards such as Bobby Hutcherson's Little B's Poem, Wayne Shorter's Infant Eyes, John Coltrane's Acknowledgment from A Love Supreme, and Horace Silver's Peace. Doug's arrangements and Jean's searing, passionate vocals gave the album a distinctly 1970s African-American feel.