Christine, based on Stephen King's novel about an unusual kind of car repossession, was taken by John Carpenter from book to screen in a blazingly short time. Rather than bypassing his usual methods, as he did with The Thing, Carpenter once again chose to do the score. The original soundtrack released from the movie was a brief affair indeed, offering up a small selection of rock & roll tunes used in the movie, plus a short selection ("Christine Attacks," here with the subtitle "Plymouth Fury") from Carpenter's score. As it is, this Tangerine Dream-influenced, mechanically pounding number is probably the best thing in the score, highly visual, threatening, and relentless. As with the best of Carpenter's work, it's enough to haunt your dreams for a few days – a property shared by the scores for Halloween and The Fog (both on Varese Sarabande).
Red Heat is quite possible the most peculiar score James Horner has ever written, drawing on influences as diverse as Russian Opera and Starsky and Hutch. The Main and End Titles are probably the best cues on the album: strong, string and percussion based marches (with an element of Glory in there somewhere) with a mixed-voice choir singing in Russian over the music. The effect is rather unusual, but works well in the context of the film. Russian Streets is an interesting action cue, using what I can only assume to be a balalaika to add an eastern touch to standard action fare: dissonant chords on strings, blaring trumpets, an extremely rapid percussion element and tolling bells and a glissando. This then goes into Cleanhead Bust, which starts off rather well: a funky disco beat and a solo saxophone with different synth sound effects here and there, (…)
La-La Land Records, Warner Bros. and WEA celebrate Warner Bros.' 90th Anniversary, with the LETHAL WEAPON SOUNDTRACK COLLECTION - an 8-CD BOX SET featuring Michael Kamen, Eric Clapton, and David Sanborn's iconic film scores from all four LETHAL WEAPON films. Each LETHAL WEAPON score is contained in its own 2-CD jewel case, and all four scores, along with a 40-Page booklet, are housed in an attractive slip case.
This ex-Dead Can Dance member imparts her own mixture of the ethereal, the worldly, the emotionally abstract, and the purely beautiful to all of her projects. She's been universally recognized and acclaimed for her body of work: she received a Golden Globe and was Oscar-nominated for the "Gladiator" soundtrack. She has also worked on such high profile movies as "Ali" and "The Insider". This release is a soundtrack for the New Zealand indie film "Whale Rider", already the biggest grossing film in New Zealand ever. Gerrard's music, combined with the motion picture, provides an experience of profound power and spiritual enlightenment.
One of Jerry Goldsmith’s greatest sci-fi/fantasy scores comes to CD in complete form: Twilight Zone: The Movie, the 1983 anthology film inspired by the classic Rod Serling TV series. No composer was better suited to score the big-screen Twilight Zone adaptation than Jerry Goldsmith. By the early 1980s Goldsmith was a master in every genre of film, from intimate dramas to large-scale adventures, but he was particularly noted for his landmark scores for science fiction: Planet of the Apes, Star Trek: The Motion Picture, Alien and more—including Poltergeist (1982), for Twilight Zone: The Movie producer and co-director Steven Spielberg, and the original Twilight Zone series, for which Goldsmith scored classic episodes like “The Invaders”.
The Martian Deluxe Soundtrack is compiled of both 'Songs From The Martian' and 'The Martian: Original Motion Picture Score'. 'Songs From The Martian' is the companion Soundtrack to the film The Martian, the action adventure directed by Ridley Scott, starring Matt Damon in the lead role as Astronaut Mark Watney. The '70s-laden album is comprised of some of the greatest classics from disco's golden era (tracklist below) including "Turn The Beat Around" (Vickie Sue Robinson), "Hot Stuff" (Donna Summer), "Rock The Boat" (Hues Corporation), "Waterloo" (ABBA), and "I Will Survive"(Gloria Gaynor), and others. 'The Martian: Original Motion Picture Score' is composed by Harry Gregson-Williams (The Shrek Franchise, X- Men Origins, Man On Fire, The Chronicles Of Narnia). Gregson-Williams also previously scored director Ridley Scott's 2005 movie 'Kingdom Of Heaven.'
Desert Dancer is a 2014 British biographical drama film directed by Richard Raymond and written by Jon Croker. Starring Reece Ritchie and Frieda Pinto, the film is based on the true story of Afshin Ghaffarian, a young, self-taught dancer in Iran, who risked his life for his dream to become a dancer despite a nationwide dancing ban.
Original soundtrack of the 1990 Academy Award and Golden Globe winning film Dances with Wolves produced, directed, and starring Kevin Costner. The original score and songs were composed and conducted by John Barry. John Barry won the 1991 Academy Award for Best Original Score and the 1992 Grammy Award for "Best Instrumental Composition Written for a Motion Picture or for Television".
For fans of Jerry Goldsmith's score for Ridley Scott 1978 movie Alien, this two-disc Intrada set is the ultimate fantasy. Everything is here and then some. Disc 1 contains Goldsmith's entire score as he originally intended it with every cue in place, including those that were later cut from the film plus his recomposed versions of cues the director made him change (Goldsmith's original main theme, for example, appears without its signature heroic trumpet melody because the director thought it wasn't creepy enough). Disc 2 includes the original soundtrack as issued on LP plus six other bonus tracks of demonstration takes and even the brief except from Eine kleine Nachtmusik used in the film. The stereo sound here is fabulous, the performances definitive, and the liner notes exhaustive. And the score, like the film, is a classic of its genre. With its mixture of the ecstatic chromaticism of Scriabin, the skittering strings of Penderecki, the harmonic waves of Ligeti, and the atmospheric percussion of Herrmann, Goldsmith's score became a template for all subsequent science fiction/horror movies.