RUSSIAN ROULETTE is the seventh studio album by German heavy metal band Accept, released in 1986. It was again recorded at Dierks-Studios, but the band chose to self-produce rather than bring back Dieter Dierks as producer. It would be the last Accept album to feature Udo Dirkschneider as lead vocalist until the 1993 reunion album Objection Overruled. The album returns Accept to the darker, heavier sound of releases prior to the more commercial-sounding predecessor Metal Heart.
Texan classic rockers SCORPION CHILD will release their second album, »Acid Roulette«, on June 10, 2016 via Nuclear Blast Entertainment. Acid Roulette« chronicles the life trials of a traveling man who was imprisoned for a murderous crime," comments vocalist Aryn Jonathan Black. "He was forced into confessing by his wife and her wealthy lover so that they could live out their romance without him in the picture. Once sentenced to a life's term, he goes through extreme emotions dealing with the only woman he'd ever loved taking everything he'd known as "real" away from him. He has to create and redefine his own reality accompanied by its roller coaster of emotional reflection.
CHINA BEACH recorded a new demo, entitled 'Six Bullet Russian Roulette', which scored favourable Japanese response from radio and record companies. The band even became embroiled in a bidding war between eight different record companies, but finally signed to Teichiku. The sound is heavy and melodic. The singer, Danny Fox, shows he can convey great emotion and give an amazing performance. A true rock band & a great first…and only album!
Bandleader extraordinaire Machito was born in Cuba, and the "original Mambo King" utilized that country's indigenous rhythms throughout his career. As its title implies, though, this 1957 release finds Machito turning an ear towards the African side of the Afro-Cuban jazz style he helped to pioneer. The energy level on KENYA is astounding, and there's virtually no letup. Under the direction of Machito and his brother-in-law/right-hand man Mario Bauza, the ensemble tears through a dozen cuts with such disciplined ferocity it's a wonder anyone was left standing at the end of the session.