Rossini Gazza

Rossini - La Gazza Ladra (Bruno Bartoletti, David Kuebler, Ileana Cotrubas) [2007]

Rossini - La Gazza Ladra (Bruno Bartoletti, David Kuebler, Ileana Cotrubas) [2007]
NTSC 4:3 (720x480) VBR | Italiano (LPCM, 2 ch) | 7,29 Gb (DVD9)
Classical | Label: Art Haus | Sub: English, Deutsch, Francais, Espanol, Italiano | 182 min | +3% Recovery

“Sets, costumes and acting are all under sensible direction and there are none of those silly diversionary indulgences that have become so habitual in recent years. There are four good vocal performances: by Elena Zilio and Nucci Condò, both sturdy mezzos; by David Kuebler, an accomplished lyric tenor; and by the grand veteran Carlos Feller… Ileana Cotrubas as the heroine sometimes touches the heart but at this stage in her career rarely delights the ear. Bartoletti and his players do justice to Rossini's score, as do the video director and his crew to the events onstage.” Gramophone Magazine, September 2007

Rossini - La Gazza Ladra (Lü Jia) [2008] RE-UPLOAD  

Posted by Sowulo at Sept. 11, 2011
Rossini - La Gazza Ladra (Lü Jia) [2008] RE-UPLOAD

Rossini - La Gazza Ladra (Lu Jia) [2008]
NTSC 16:9 (720x480) VBR Auto Pan&Scan | Italiano (LPCM, 2 ch); (Dolby AC3, 6 ch) | 6,57+6,64Gb (2*DVD9)
Classical | Label: Dynamic | Sub: Italiano, English, Francais, Deutsch, Espanol | 201 min

By Rossini’s time this genre was classified into a rigidly defined series of conventions: a drama with a happy ending, in which the innocent victim, unjustly condemned, should be saved from the scaffold at the eleventh hour and the rascal persecutor punished. The social setting of these operas always delt with a conflict between a feudal aristocracy ( that in La Gazza Ladra is replaced by arrogant welders of power ) and a world of humble people , nearly always peasants. - Known as ’The Thieving Magpie’ in English, La Gazza Ladra deals with a servant girl accused of stealing some silverware with which the magpie of the title has actually absconded for its nest. Seemingly lightweight, the opera was rooted in a true story in which a young woman was actually put to death for the bird’s ”crime”.

Emilio Martini - Il mistero della gazza ladra  eBooks & eLearning

Posted by SSCN1926 at June 14, 2016
Emilio Martini - Il mistero della gazza ladra

Emilio Martini - Il mistero della gazza ladra
Italian | Corbaccio | 2016 | EPUB | Pages 200 | ASIN: B01BMK7B2Q | 3.33 Mb

Rossini (repost)  

Posted by MoneyRich at Jan. 31, 2015
Rossini (repost)

Rossini (Master Musicians Series) by Richard Osborne
English | Sep 27, 2007 | ISBN: 0195181298 | 432 Pages | PDF | 22 MB

Gioachino Rossini was one of the most influential, as well as one of the most industrious and emotionally complex of the great nineteenth-century composers. Between 1810 and 1829, he wrote 39 operas, a body of work, comic and serious, which transformed Italian opera and radically altered the course of opera in France. His retirement from operatic composition in 1829, at the age of 37, was widely assumed to be the act of a talented but lazy man.
Rossini - Overtures (Orchestre Symphonique de Bamberg, Giusseppe Patane) [1996]

Rossini - Overtures (La Gazza Ladra, L'Italiana in Algeri, Guillaume Tell, Semiramide, Il Signor Bruschino, Il Turco in Italia, La Scala di Seta) (Orchestre Symphonique de Bamberg, Giusseppe Patane) [1996]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 1cd, 265 MB
Classical | Label: RCA | Catalog Number: 74321650602 | TT: 58:54

Giuseppe Patanè (1 January 1932 – 29 May 1989) was an Italian opera conductor.
Giuseppe Patanè was born in Naples, the son of the conductor Franco Patanè (1908–1968), and studied in his native city. He made his debut there in 1951. He was principal conductor at the Linz opera from 1961 until 1962. He also was chief conductor of the Munich Radio Orchestra from 1985 until 1989.
Patanè collapsed suddenly from a heart attack while conducting a performance of Il barbiere di Siviglia at the Bavarian State Opera in Munich, on 29 May 1989. He was taken to hospital where he died. He and his wife Rita, from whom he was separated at the time of his death, had two daughters.

Gazza: My Story  eBooks & eLearning

Posted by priava at Dec. 16, 2009
Gazza: My Story

Gazza: My Story
Headline Book Publishing | ISBN: 0755313259 | 2004-06-18 | MP3 | 103 Mb

Almost as soon as the young Geordie burst onto the scene at Newcastle United, Gazza was the centre of attention: Vinnie Jones's notorious ball-handling showed the lengths people would go to try to stop him. Then, with England on the verge of possibly reaching the World Cup final in 1990, came Gazza's tears - the moment that brought a whole new audience to the sport and helped set the football 1990s boom on its way. But then came a career-threatening injury, mental health problems, self-confessed alcoholism and family disputes, as life in the full glare of the media spotlight became too much. Now, at the end of his career in football, Gazza is finally ready to tell his own story in his own words for the first time - and it is even more amazing than you would have thought.

Franco Fagioli and George Petrou - Rossini (2016) [TR24][OF]  Vinyl & HR

Posted by SERTiL at Nov. 20, 2016
Franco Fagioli and George Petrou - Rossini (2016) [TR24][OF]

Franco Fagioli and George Petrou - Rossini
Classical | FLAC (tracks) 24-bit/96 kHz | 75:13 min | 1.40 GB | Digital booklet
Label: Deutsche Grammophon | Tracks: 17 | Rls.date: 2016

Curiously, Rossini has composed two roles for a castrato: to Alceo in the cantata Il vero omaggio, and that of Arsaces in Aureliano in Palmira, both for Giambattista Velluti, the last castrato internationally renowned opera . Against the Argentine tenor Franco Fagioli has deliberately given up these roles to this album Rossini, preferring to focus on transvestites roles that address sexual ambiguity from another angle. In operas "serious" by Rossini, rarely given today, there are many male characters whose roles were written for singers.
Jacques Offenbach - Gaite Parisienne / Rossini, Respighi - La boutique fantasque (2004) {Hybrid-SACDISO & HiRes FLAC}

Jacques Offenbach - Gaite Parisienne / Rossini, Respighi - La boutique fantasque
Arthur Fiedler / Boston Pops Orchestra
SACD ISO (2.0): 1,07 GB | 24B/88,2kHz Stereo FLAC: 1,19 GB | Partial Artwork | 5% Recovery Info
Label/Cat#: RCA Red Seal "Living Stereo" # 82876-66419-2 | Country/Year: US 2004, 1956/1954
Genre: Classical | Style: Romantic, Ballett
Toscanini  - The Television Concerts 1948-52 Vol.5: Franck, Sibelius, Debussy, Rossini, Beethoven, Respighi (2005)

Arturo Toscanini - The Television Concerts 1948-52 Vol.5: Franck, Sibelius, Debussy, Rossini, Beethoven, Respighi (2005)
NTSC 4:3 (720x480) VBR | English (LinearPCM, 2 ch) | 7.22 Gb (DVD9) | 107 min
Classical | Testament

One of the most acclaimed musicians of his era, Toscanini was a conductor of the "old school" - aristocratic, perfectionistic and something of an autocrat on the podium. After a brief flurry of interest in Fascism in the 1910s, he rapidly became disillusioned with the movement and indeed became a personal rival of Mussolini, repeatedly antagonising him through acts of artistic defiance such as refusals to open concerts with the Fascist anthem Giovinezza.
Eventually he fled Italy for the United States, becoming the first conductor of the newly-formed NBC Symphony Orchestra, with whom he pioneered radio broadcasts and recordings that made him a household name in America until his retirement at the age of 87. He gave the premiere performances of several major works, including Barber's Adagio for Strings and the American premiere of Shostakovich's Seventh Symphony.
Armonia Atenea and Franco Fagioli and George Petrou - Rossini (2016)

Armonia Atenea and Franco Fagioli and George Petrou - Rossini (2016)
MP3 320 kbps CBR | 01:15:20 | 173 MB
Genre: Classical | Label: Deutsche Grammophon

Curiously, Rossini has composed two roles for a castrato: to Alceo in the cantata Il vero omaggio, and that of Arsaces in Aureliano in Palmira, both for Giambattista Velluti, the last castrato internationally renowned opera . Against the Argentine tenor Franco Fagioli has deliberately given up these roles to this album Rossini, preferring to focus on transvestites roles that address sexual ambiguity from another angle. In operas "serious" by Rossini, rarely given today, there are many male characters whose roles were written for singers. Already, in the Baroque era, the role of the "primo uomo" could be entrusted to a woman if we did not have the proper castrato.