Ray Anthony And His Orchestra

Billie Holiday With Ray Ellis And His Orchestra (Last Recordings) (1959) [2015 Official Digital Download 24bit/192kHz]

Billie Holiday - Billie Holiday With Ray Ellis And His Orchestra (Last Recordings) (1959) [2015 Official Digital Download 24bit/192kHz]
FLAC 24bit/192kHz (tracks) | Cover Only | 1.88 GB | 37:11 minutes
Jazz Vocal | Studio Master, Official Digital Download | Hosted On: NitroFlare

Last Recording, originally titled Billie Holiday before her death, is the last album of Billie Holiday released in 1959, five years after the original album titled Billie Holiday was released.
Ray Conniff - And His Orchestra and Chorus / Concert in Rhythm (CD 1990)

Ray Conniff - And His Orchestra and Chorus
Concert in Rhythm (CD 1990)

EAC Rip | FLAC-TRACKS+CUE+LOG | 1CD | Scans | 33 Min. | 182 MB
Label : Columbia / Catalogue : CK8022
Easy Listening / LP Originally Released in 1958

This is Ray conniff playing classical masterpieces like Tchaikovski's FIRST PIANO CONCERTO, SWAN LAKE BALLET and ROMEO AND JULIET, the great Debussy's REVERIE, the gracious ON THE TRAIL (from Grand Canyon Suite), the incredible RHAPSODY IN BLUE (this is the best), and what a surprise!! a one Ray Conniff's composition, the precious EARLY EVENING (what a wonderful song); including Rachmaninoff's SECOND PIANO CONCERTO (simply excellent)…this cd is the fusion of classical and swing music in the unique Ray Conniff Style!!!
-By C. Bellegarrigue-

Michael Maxwell and His Orchestra - In The Big Band Mood (1997)  Music

Posted by Pisulik at Jan. 16, 2017
Michael Maxwell and His Orchestra - In The Big Band Mood (1997)

Michael Maxwell and His Orchestra - In The Big Band Mood (1997)
EAC Rip | FLAC (Tracks) +cue, log, artworks - 439 MB | MP3 CBR 320 kbps - 121 MB | 00:52:35
Jazz | Label: Avalon Music | Release Year: 1997

Put on your dancing shoes and jive the night away. Standards like In the Mood and When the Saints Come Marching In will put a new lift in your step. Instrumentation includes saxophones, trumpets, trombones, French horn, piano, guitar, bass & drums. When I was a kid, back in the '60's, my dad listened to a group of records called "The Swing Era"… I believe from Time-Life. I grew up loving the swing rhythms and stylings of "Little Brown Jug", "Take The 'A' Train, and "Chattanooga Choo-Choo" as they popped and hissed out of our giant console stereo. I've tried digitally remastered versions of the originals, like "Glenn Miller-A Memorial", but have always been disappointed by, well, the pops and hiss, and the generally low fidelity that these great old songs were recorded with… not their fault! But "In The Big Band Mood" faithfully recaptures the music in new recordings by Michael Maxwell and his orchestra, and their rendition of what I consider to be one of the most perfect pieces of music of all time - "In The Mood" - is excellent. I highly recommend this album!

James Last and His Orchestra - Beach Party '95 (2005)  Music

Posted by robi62 at Dec. 29, 2016
James Last and His Orchestra - Beach Party '95 (2005)

James Last and His Orchestra - Beach Party '95 (2005)
Video: NTSC, MPEG-2 at 5 432 kb/s, 720 x 480 at 29.970 fps | Audio: AC-3 2ch. at 192 kb/s, AC-3 6ch. at 448 kb/s, DTS 6ch. at 755 kb/s
Genre: Easy Listening | Label: Universal | Copy: Untouched | Release Date: 15 Aug. 2005 | Runtime: 88 min. | 4.36GB (DVD5)

James Last was a German big-band leader with a large fan base in Europe, although he never had a comparable following in the United States. Last's trademark was arranging pop hits in a big-band style; his series of "party albums" became equally well-known. Over the course of his career, he sold well over 50 million albums.
Oliver Nelson and His Orchestra - Fantabulous (1964) {Verve Originals rel 2008}

Oliver Nelson and His Orchestra - Fantabulous (1964) {Verve Originals rel 2008}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 235 Mb | MP3 @320 -> 82 Mb
Full Artwork @ 600 dpi (png) -> 120 Mb | 5% repair rar
© 1964, 2008 Verve / Argo | 0602517621350 | Verve Originals Series
Jazz / Post Bop / Hard Bop / Modern Big Band / Modern Creative

By the time Oliver Nelson and his big band had recorded Fantabulous in March of 1964 for Argo, the great composer, saxophonist, conductor, and arranger was a man about town in New York. He had released some truly classic dates of his own as a leader in smaller group forms – Blues and the Abstract Truth and Full Nelson among them – and had done arrangement work for everyone from Eddie "Lockjaw" Davis and Johnny Hodges, Nancy Wilson, Frank Wess, King Curtis, Etta Jones, Jimmy Smith, Jack Teagarden, Betty Carter, Billy Taylor, and Gene Ammons, to name more than a few. For Fantabulous, he took his working big band to Chicago for a gig sponsored by Daddy-O-Daylie, a famous local disc jockey.
Duke Ellington And His Orchestra - Duke Ellington and His Orchestra Live in Cologne 1969 (2016)

Duke Ellington And His Orchestra - Duke Ellington and His Orchestra Live in Cologne 1969 (2016)
MP3 320 kbps CBR | 01:08:58 | 160 MB
Genre: Jazz | Label: Jazzline

Duke Ellington and his Orchestra in Cologne. For the first time released featuring the soloists Cat Anderson, Cootie Williams, Lawrence Brown, Johnny Hodges and Paul Gonsalves to name a few. Including the Ellington Hits Take The A-Train, Caravan, Mood Indigo, Sophisticated Lady and many more.
Charlie Parker and His Orchestra - Swedish Schnapps (1951) {2014 Japan Universal 100 Series UCCU-99111}

Charlie Parker and His Orchestra - Swedish Schnapps (1951) {2014 Japan Universal 100 Series UCCU-99111}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 249 Mb | MP3 @320 -> 124 Mb
Full Artwork @ 600 dpi (jpg) -> 115 Mb | 5% repair rar
© 1951, 2014 Verve Records / Universal Japan | UCCU-99111 | Mono
Jazz / Bebop / Bop / Saxophone

Musicians like to observe that for all his notoriety as the wellspring of bebop, Charlie "Bird" Parker's music was loaded with the blues. SWEDISH SCHNAPPS is as good a place as any to make that connection with Parker's music, including as it does two of his most enduring bop heads based on the blues, "Au Privave" and "Blues For Alice." While you wouldn't mistake either composition for a Muddy Waters tune, both relate Bird's off-kilter accents and serpentine melodicism at walking tempos that let you hear what's actually going by, instead of leaving you astonished but bemused. To really drive the point home, there's "K.C. Blues," which finds the altoist at his hollerin' best, and "Lover Man," certainly one of the bluesiest 32-bar standards around.
Si Zentner And His Orchestra - It's Nice To Go Trav'ling (1965/2015) [24/96]

Si Zentner And His Orchestra - It's Nice To Go Trav'ling (1965/2015)
FLAC (tracks) 24-bit/96 kHz | Time - 34:24 minutes | 791 MB
Studio Master, Official Digital Download | Artwork: Front cover

While big bands seemed to be fading fast during the late '50s and early '60s, bandleader Si Zentner was one of the few to front a successful big band – enjoying both critical and commercial acclaim.
Si Zentner And His Orchestra - My Cup Of Tea (1965/2015) [Official Digital Download 24/96]

Si Zentner And His Orchestra - My Cup Of Tea (1965/2015)
FLAC (tracks) 24-bit/96 kHz | Time - 32:31 minutes | 764 MB
Studio Master, Official Digital Download | Artwork: Front cover

While big bands seemed to be fading fast during the late '50s and early '60s, bandleader Si Zentner was one of the few to front a successful big band – enjoying both critical and commercial acclaim.
Johnny Hodges And His Orchestra - Blues-A-Plenty (1958/2011/2014) [DSD64 + FLAC]

Johnny Hodges And His Orchestra - Blues-A-Plenty (1958/2011/2014)
DSD64 (.dsf) 1 bit/2,8 MHz | Time - 42:38 minutes | 1,21 GB
FLAC (tracks) 24-bit/88,2 kHz | Time - 42:38 minutes | 834 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

One of the giants of the alto saxophone, Johnny Hodges was perhaps the most important soloist and sideman in Duke Ellington's orchestra from 1928 up to Hodges' death in 1970. The self-taught player made many solo forays during his long career - one of his '50s outfits included a young John Coltrane - but history remembers Hodges for his virtuosic sidemanship, particularly his sensitive rendering of ballads.