The best-selling English Pronunciation in Use is a comprehensive reference and practice book suitable for self-study or classroom work. Sixty easy-to-use units cover all aspects of pronunciation, including individual sounds, word stress, connected speech and intonation.
Opening with the Head Hunters version of "Watermelon Man" and closing with the electro-embracing crossover hit, "Rockit," Mr. Funk is a semi-random skip across Hancock's Columbia recordings, and it technically spans 1973-1983 (at least going by release dates), rather than the 1972-1988 range printed on its cover.
Beyond category or idiom, audacious in its very idea, Herbie Hancock and Wayne Shorter perform a little over an hour of spontaneous improvised duets for grand piano and soprano sax. That's all no synthesizers, no rhythm sections, just wistful, introspective, elevated musings between two erudite old friends that must have made the accountants at PolyGram reach for their Mylanta. Hancock's piano is long on complex harmonies of the most cerebral sort, occasionally breaking out into a few agitated passages of dissonance. His technique in great shape, Shorter responds with long-limbed melodies, darting responses to Hancock's lashings, and occasional painful outcries of emotion.
La-La Land Records and 20th Century Fox present the remastered release of acclaimed composer Mark Snow’s (THE X-FILES, MILLENIUM, GHOST WHISPERER, BLUE BLOODS) original motion picture score to the 1998 motion picture THE X-FILES: FIGHT THE FUTURE, starring David Duchovny, Gillian Anderson and John Neville. Composer Snow launches the beloved television series, THE X-FILES onto the silver screen with an astounding score that retains the show’s already established sonic palette of atmospheric synths, while opening up its musical universe with the addition of a live orchestra. This special limited edition release features much improved sound and contains some music not previously released. Also, the incorrectly reversed stereo channels on the original soundtrack release have been corrected here. Produced by Mark Snow and Nick Redman, and mastered by Mike Matessino, this exciting release also contains exclusive liners by writer Julie Kirgo and an updated print interview with Snow conducted by film music writer Randall D. Larson.
This disc is a bit unusual in a few ways. Vibraphonist Dave Pike sticks here exclusively to the marimba, while pianist Herbie Hancock is heard throughout on organ, an instrument he rarely played again. The band also includes two trumpeters (most notably Clark Terry who has a few short solos) and a rhythm section with guitarist Billy Butler. Most of the music consists of obscurities and is open to the influences of the boogaloo and pop rhythms of the era; highlights include Hancock's "Blind Man, Blind Man," "Sunny" and "Devilette." An interesting effort.