Four decades after its release, this is still the most controversial record in Yes' output. Tales from Topographic Oceans was the place where Yes either fulfilled all of the promise shown on their previous five albums or slid off the rails in a fit of artistic hubris, especially on the part of lead singer Jon Anderson and guitarist Steve Howe, who dominated the composition credits here…
Diving into the planet’s waters, Kingdom Of The Oceans features astonishing footage that showcases the majesty of the underwater world. Shot at over 50 locations around the world and with eighty different species, this breath taking four part special offers a deeper insight into the aquatic side of nature, from the coastal shores to the open sea. With almost three quarters of the Earth’s surface covered by water, the oceans host a variety of remarkable wildlife from the large to the tiny, and from the hunters to the hunted. Splash to the depths of the seas to experience the thrill of the chase as predators stalk their prey and get up close with a variety of marine animals, from the gigantic blue whale to shoals of tuna, as you come one step closer to understanding the great watery unknown.
A four-part documentary series on ocean life around the world.
Either the finest record or the most overblown album in Yes' output. When it was released, critics called it one of the worst examples of progressive rock's overindulgent nature. Jon Anderson's fascination with Eastern religions never manifested itself more clearly or broadly, but one needn't understand any of that to appreciate the many sublimely beautiful moments on this album, some of the most gorgeous passages ever recorded by the band. ~ Bruce Eder
Oceans of Slumber is a progressive metal band from Texas that surprised me. Winter, an album ironically named after something not experienced in Texas, is an album of strange character coming from one of metal’s premier labels. Rather than fitting into any of the expected “surefire” categories produced by most labels these days, Oceans of Slumber walks its own path. Their sound is best described as a combination of melodic death, doom and black metal influenced by the Century Black roster circa 1998. Winter blends that with a sadboy metal and an alternative rock base making the album beautiful, mysterious, and oddly chaotic. It’s also really good.