Goodbye Mr. Coleman… and THANK YOU… Reissue. Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. "New York is now" – a pretty bold statement from saxophonist Ornette Coleman, but one that definitely shows his shift in role – from a major force on the LA underground of the early 60s, to an artist who was helping pave the way for a huge wave of growth on the New York downtown scene in years to come! Ornette's at his most late 60s unbridled here – freer than before, and working with a lineup that includes Jimmy Garrison on bass and Elvin Jones on drums – still no piano at all – plus great work from Dewey Redman on tenor, who really burst into new prominence with this album. Ornette plays a bit of violin alongside alto sax – and tracks include "Toy Dance", "Round Trip", "Broad Way Blues", and "We Now Interrupt For A Commercial".
New York Is Our Home brings together twenty tracks recorded by Blue Note artists between 1953-58 which helped shape the hard bop template. The compilation includes a handful of acknowledged early classics, but also some primo lesser-known tracks. Hard bop was at the apex of African-American culture from 1955 to around 1965, when rock and soul drove it from the throne. By the time it declined, the music was heavily, often excessively codified. Between 1954-57, however, when most of the tracks on New York Is Our Home were recorded, everything was still to play for. Horace Silver may be the pianist on ten of these tracks, and Art Blakey the drummer on eight, but the only thing that runs through all of them is African-centric energy, as received through blues and gospel. Beyond that, individual expression is key.