Miranda Cuckson, Blair Mcmillen bela Bartok

Miranda Cuckson & Blair McMillen - Bartok, Schnittke, Lutoslawski (2016) {ECM New Series 2446}

Miranda Cuckson & Blair McMillen - Bartok, Schnittke, Lutoslawski (2016) {ECM New Series 2446}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 248 Mb | MP3 @320 -> 93 Mb | Artwork | 5% repair rar
© 2016 ECM Records | ECM New Series 2446
Classical / Modern Classical / Chamber Music / Avant-Garde / Piano / Violin

The New York Times has praised violinist Miranda Cuckson’s “undeniable musicality,” while Gramophone has declared her “an artist to be reckoned with.” Born in Australia and educated in America, she makes her ECM New Series debut – alongside pianist Blair McMillen – with three 20th-century milestones: the Hungarian Béla Bartók’s Violin Sonata No. 2 (1922), the Russian Alfred Schnittke’s Violin Sonata No. 2 “Quasi una Sonata” (1968) and the Pole Witold Lutoslawski’s Partita for Violin and Piano (1984).
Andras Keller, Janos Pilz - Bela Bartok: 44 Duos for Two Violins (2002)

Andras Keller, Janos Pilz - Bela Bartok: 44 Duos for Two Violins (2002)
EAC | APE (log,image+cue) -> 237 Mb (5% Rec.) | Mp3 CBR320 Kbps -> 140 Mb (5% Rec.) | Scans included
Classical | Label: ECM Records, #465 849-2 | 2002 | 0:58:21

Bartok's Duos are triple-threats: progressions of very brief practice works for violinists from students to skilled artists; transformations of folk dances and songs into art works; and pieces for concert performance, either piecemeal or complete. The Keller-Pilz duo makes its own sequence of the 44 primarily to heighten contrasts and sustain interest, a practice sanctioned by Bartok since the published order progressing from easiest to most difficult doesn't complement the pure listening experience. This revised order certainly works in these spirited performances.

Vegh Quartet - Bela Bartok: Complete String Quartets (2001) 3CD  Music

Posted by Designol at March 18, 2016
Vegh Quartet - Bela Bartok: Complete String Quartets (2001) 3CD

Quatuor Végh - Béla Bartók: Complete String Quartets (2001) 3CD
EAC | FLAC | Tracks (Cue&Log) ~ 618 Mb (incl 5%) | Scans ~ 50 Mb
Genre: Classical | Label: Naïve | # V 4870 | Time: 02:18:54

The Végh Quartet was not only one of the finest string quartets from mid-twentieth century Europe, but its style was never subjected to radical change over the years from personnel changes because the four original players remained members for 38 of the 40 years of the ensemble's existence. Its style evolved in subtle ways, of course, but its essential character endured until 1978: the quartet was Central European in its sound, with a bit more prominence given to the cello in order to build tonal qualities from the bottom upward. The Végh Quartet was best known for its cycles – two each – of the Beethoven and Bartók quartets. It also performed and recorded many of the Haydn quartets, as well as numerous other staples of the repertory by Mozart, Schumann, Brahms, and Debussy. For a group that disbanded in 1980, its recordings are still quite popular, with major efforts available in varied reissues from Music & Arts, Archipel, Naïve, and Orfeo.
Bela Bartok - Bluebeard's Castle (Nadja Michael, Mikhail Petrenko) 2015 [HDTV 1080i]

Bela Bartok - Bluebeard's Castle (Nadja Michael, Mikhail Petrenko) 2015 [HDTV 1080i]
AVC, 1920x1080i (16:9), 19.0 mbps, 25 fps | Hungarian AC3 448 kbps, 2 ch / Subs: Eng, Ger, Ita, Spa, Fre, Por, Rus & Swe | 01:17:26 | 10.7 GB
Classical, Opera | Metropolitan Opera HD Live | HDTV->TS

Metropolitan Opera presents Mariusz Treliński's new production of Béla Bartók's "Bluebeard's Castle," starring Nadja Michael, Mikhail Petrenko and conducted by Valery Gergiev.
The Music of Bela Bartok: A Study of Tonality and Progression in Twentieth-Century Music

The Music of Bela Bartok: A Study of Tonality and Progression in Twentieth-Century Music by Elliott Antokoletz
English | Jan 11, 1990 | ISBN: 0520067479 | 472 Pages | PDF | 14 MB

The basic principles of progression and the means by which tonality is established in Bartók's music remain problematical to many theorists. Elliott Antokoletz here demonstrates that the remarkable continuity of style in Bartók's evolution is founded upon an all-encompassing system of pitch relations in which one can draw together the diverse pitch formations in his music under one unified set of principles.
Bela Bartok - Steinbacher / Janowski / Orch. de la Suisse Romande - The 2 Violin Concertos (2010) {Hybrid-SACD // ISO & FLAC}

Béla Bartók - The 2 Violin Concertos
Orchestre de la Suisse Romande / Arabella Steinbacher / Marek Janowski
SACD ISO (2.0/MCH): 3,06 GB | 24B/88,2kHz Stereo/MCH FLAC: 990 MB/2,33 GB | Full Artwork | 5% Recovery Info
Label/Cat#: Pentatone # PTC 5186 350 | Country/Year: Europe 2010
Genre: Classical | Style: Early 20th Century

PentaTone’s magnificent multi-channel recording, engineered by the familiar Polyhymnia team of Job Maarse, Erdo Groot and Roger de Schot, avoids this trap and ensures that every section of the orchestral score is presented with outstanding clarity. The sound stage is wide with just the right amount of the ambience of the Victoria Hall, Geneva present to add an extra bloom to the overall sound. Arabella Steinbacher’s previous recordings of 20th century violin concertos have garnered worldwide praise and this latest one should further enhance the reputation of this young and exceptionally gifted musician. Very highly recommended.
Bela Bartok - Dance Suite, Two Pictures Op. 10, 4 Pieces For Orch. Op. 12

Bela Bartok - Dance Suite, Two Pictures Op. 10, 4 Pieces For Orch. Op. 12
Classical | EAC: FLAC+Cue+Log | 1 Cd, Cover+Booklet | 304 Mb
Label: IMP - Date: 1992

Béla Bartók composed the Dance Suite in 1923 in order to celebrate the 50th anniversary of the union of the cities Buda and Pest, to form the Hungarian capital Budapest. This work consists of five dances with Arabic, Wallachian and Hungarian melodies, and a finale that brings together all the previous thematic sketches.

Bela Bartok - Rhapsodies Nos.1 & 2, Piano Quintet  

Posted by tapaz9 at April 21, 2012
Bela Bartok - Rhapsodies Nos.1 & 2, Piano Quintet

Bela Bartok - Rhapsodies Nos.1 & 2, Piano Quintet
Classical | EAC: FLAC+Cue+Log | 1 Cd, Covers | 345 Mb
Label: Naxos - Date: 1995

Through his far-reaching endeavors as composer, performer, educator, and ethnomusicolgist, Béla Bartók emerged as one of the most forceful and influential musical personalities of the twentieth century. Born in Nagyszentmiklós, Hungary (now Romania), on March 25, 1881, Bartók began his musical training with piano studies at the age of five, foreshadowing his lifelong affinity for the instrument. Following his graduation from the Royal Academy of Music in 1901 and the composition of his first mature works – most notably, the symphonic poem Kossuth (1903) – Bartók embarked on one of the classic field studies in the history of ethnomusicology. With fellow countryman and composer Zoltán Kodály, he traveled throughout Hungary ……..
From Allmusic
Bela Bartok & Tatrai Quartet - String Quartets Nos 1-6 Divertimento (1992)

Bela Bartok & Tatrai Quartet - String Quartets Nos 1-6 Divertimento (1992)
Classical | MP3 CBR 320 kbps | 02:57:05 | 405 MB
Label: Hungaroton

The inclusion of a fine performance of the Divertimento composed just before the 6th Quartet is a welcome bonus on this set. The recordings date from 1966 (quartets) and 1964 (Divertimento, Hungarian Chamber Orchestra led by Vilmos Tátrai), and they sound very good, though dry compared with the excellent Takacs recording, which is justly regarded as one of the finest chamber music recordings yet made. Among the three I would recommend Takacs for those getting to know the music and wanting a 'best' recording performance, sound, the whole ball of wax. Otherwise, one can't go wrong with any of these (the Vegh set being a personal favorite), and the inclusion of the Divertimento makes this Tátrai recording a very attractive choice.
Andras Schiff, Ivan Fischer, BFO - Bela Bartok: Piano Concertos Nos. 1-3 (1996)

Béla Bartók - Piano Concertos Nos. 1-3 (1996)
András Schiff, piano; Budapest Festival Orchestra, conducted by Iván Fischer

EAC | FLAC | Tracks (Cue&Log) ~ 345 Mb (incl 5%) | Mp3 (CBR320) ~ 206 Mb (incl 5%) | Scans included
Genre: Classical | Label: Teldec Classics | # 0630-13158-2 | Time: 01:16:26

First there was rhythm - pulsing, driving, primal rhythm. And a new word in musical terminology: Barbaro. As with sticks on skins, so with hammers on strings. The piano as one of the percussion family, the piano among the percussion family. The first and second concertos were written to be performed that way. But the rhythm had shape and direction, myriad accents, myriad subtleties. An informed primitivism. A Baroque primitivism. Then came the folkloric inflections chipped from the music of time: the crude and misshapen suddenly finding a singing voice. Like the simple melody - perhaps a childhood recollection - that emerges from the dogged rhythm of the First Concerto's second movement. András Schiff plays it like a defining moment - the piano reinvented as a singing instrument. His "parlando" (conversational) style is very much in Bartók's own image. But it's the balance here between the honed and unhoned, the brawn and beauty, the elegance and wit of this astonishing music that make these readings special.