Miles Davis Decoy

Miles Davis - Decoy (1984) {Columbia} [Repost]  

Posted by tiburon at Nov. 19, 2015
Miles Davis - Decoy (1984) {Columbia} [Repost]

Miles Davis - Decoy (1984) {Columbia}
EAC 1.1 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 217MB + 5% Recovery
Genre: Fusion, Jazz-Funk

DECOY is a vivid example of Miles Davis' unerring ear for identifying, casting and nurturing talent. Among those helping out Miles flesh out this modern vision of electric jazz: John Scofield, who ranks among the most progressive of jazz guitarists and composers; reedman Branford Marsalis, who fronted the Tonight Show Band; Darryl Jones, who held down the bass chair for Sting and subbed for Bill Wyman in the Rolling Stones; and drummer Al Foster, who went on to work with Sonny Rollins, Joe Henderson and Ron Carter.

Miles Davis - Decoy (1983) {Reissue 1996}  

Posted by ruskaval at Aug. 20, 2009
Miles Davis - Decoy (1983) {Reissue 1996}

Miles Davis - Decoy (1983) {Reissue 1996}
EAC rip (secure mode) | FLAC+CUE+LOG -> 209 Mb | MP3 @320 -> 90 Mb
Full Artwork @ 300 dpi (jpg) -> 6 Mb
© 1983 Sony Music / Columbia | 468702 2
Jazz / Fusion / Jazz-Funk


Miles Davis - Decoy (1983) {Reissue 1996}

DECOY is a vivid example of Miles Davis' unerring ear for identifying, casting and nurturing talent. Among those helping out Miles flesh out this modern vision of electric jazz: John Scofield, who ranks among the most progressive of jazz guitarists and composers; reedman Branford Marsalis, who fronted the Tonight Show Band; Darryl Jones, who held down the bass chair for Sting and subbed for Bill Wyman in the Rolling Stones; and drummer Al Foster, who went on to work with Sonny Rollins, Joe Henderson and Ron Carter.

DECOY marks a milestone in Miles' thinking since returning to the jazz wars, and the trumpeter's keyboard abstractions over Jones' Kraftwerk-like bass groove on "Freaky Deaky" offers clues as to the style of spontaneous orchestration and interplay he wanted. Co-producer/keyboardist Robert Irving's title track depicts an opulent canvas of inter-connected modes, all doing a wheeling dance around Jones' spacious, behind-the-beat bass pulse; "Robot 415" is an Afro-Techno miniature; and "Code M.D." offers slick big band synth flourishes and contrasting rhythmic accents over a swampy, post-modern brand of southern funk.

Miles Davis - Kind Of Blue (1959) [MFSL, UDSACD 2085]  Music

Posted by v3122 at Dec. 4, 2016
Miles Davis - Kind Of Blue (1959) [MFSL, UDSACD 2085]

Miles Davis - Kind Of Blue (1959)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
2015 | Mobile Fidelity Sound Lab, UDSACD 2085 | ~ 157 or 109 Mb | Scans(jpg) -> 18 Mb
Jazz, Cool Jazz, Bop, Hard Bop

Kind of Blue isn't merely an artistic highlight for Miles Davis, it's an album that towers above its peers, a record generally considered as the definitive jazz album. To be reductive, it's the Citizen Kane of jazz – an accepted work of greatness that's innovative and entertaining…
Miles Davis - The Original Jacket Collection (2006) [30 Albums, 37 CDs] {DSD Japan Mini LP Analog Collection} (part 5of6)

Miles Davis - The Original Jacket Collection (2006) [30 Albums, 37 CDs] {DSD Japan Mini LP Analog Collection} (part 5of6)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.88 Gb | MP3 @320 -> 1.11 Gb | Artwork
© 2006 Sony Music Japan / Columbia | SICP 1222~29 | DSD | HQD High Quality Disc
Jazz / Fusion / Jazz Rock / Jazz Funk / Trumpet

None of Miles Davis' recordings has been more shrouded in mystery than Jack Johnson, yet none has better fulfilled Miles Davis' promise that he could form the "greatest rock band you ever heard." Containing only two tracks, the album was assembled out of no less than four recording sessions between February 18, 1970, and June 4, 1970, and was patched together by producer Teo Macero. Most of the outtake material ended up on Directions, Big Fun, and elsewhere. The first misconception is the lineup: the credits on the recording are incomplete. For the opener, "Right Off," the band is Miles, John McLaughlin, Billy Cobham, Herbie Hancock, Michael Henderson, and Steve Grossman (no piano player!), which reflects the liner notes.

Miles Davis - Ballads (1990)  Music

Posted by v3122 at Nov. 27, 2016
Miles Davis - Ballads (1990)

Miles Davis - Ballads (1990)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
CBS 461099 2 | ~ 256 or 112 Mb | Scans(jpg) -> 24 Mb
Jazz, Cool Jazz, Bop, Hard Bop

A well-sequenced set of nine ballads done by various incarnations of Miles Davis groups for Columbia Records between 1956 and 1984, this compilation is a wonderful listen but pieces like "Flamenco Sketches" and "I Loves You, Porgy," for instance, really need to be heard in their original settings to be truly appreciated…
The Miles Davis Quintet - Workin' With The Miles Davis Quintet (1956) [DCC, GZS-1063]

The Miles Davis Quintet - Workin' With The Miles Davis Quintet (1956)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
DCC, GZS-1063 | ~ 237 or 111 Mb | Scans Included
Jazz / Bop / Cool / Hard Bop

Workin' is the third in a series of four featuring the classic Miles Davis Quintet: Davis (trumpet), John Coltrane (tenor sax), Red Garland (piano), and Philly Joe Jones (drums). Like its predecessors Cookin' and Relaxin', Workin' is the product of not one – as mythology would claim – but two massively productive recording sessions in May and October of 1956, respectively…

Miles Davis - Steamin' (1956) [DCC, GZS-1065]  Music

Posted by v3122 at Nov. 23, 2016
Miles Davis - Steamin' (1956) [DCC, GZS-1065]

Miles Davis - Steamin' (1956)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
1994 | DCC, GZS-1065 | ~ 221 or 109 Mb | Scans Included
Jazz, Cool Jazz, Bop, Hard Bop

Although chronologically the last to be issued, this collection includes some of the best performances from the tapes which would produce the albums Cookin', Relaxin', Workin', and ultimately, Steamin'. A primary consideration of these fruitful sessions is the caliber of musicians – Miles Davis (trumpet), Red Garland (piano), John Coltrane (tenor sax), and Philly Joe Jones (drums) – who were basically doing their stage act in the studio…

Miles Davis - Relaxin' (1956) [DCC, GZS-1052]  Music

Posted by v3122 at Nov. 21, 2016
Miles Davis - Relaxin' (1956) [DCC, GZS-1052]

Miles Davis - Relaxin' (1956)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
1994 | DCC, GZS-1052 | ~ 172 or 87 Mb | Scans(jpg) -> 33 Mb
Jazz, Cool Jazz, Bop, Hard Bop

Relaxin' features the Miles Davis Quintet in a pair of legendary recording dates – from May and October of 1956 – which would generate enough music to produce four separate long-players: Cookin', Relaxin', Workin', and Steamin'. Each of these is considered not only to be among the pinnacle of Davis' work, but of the entire bop subgenre as well…
Miles Davis - Cookin' with the Miles Davis Quintet (1956) [DCC, GZS-1044]

Miles Davis - Cookin' with the Miles Davis Quintet (1956)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
1993 | DCC, GZS-1044 | ~ 229 or 123 Mb | Scans Included
Jazz, Cool Jazz, Bop, Hard Bop

Cookin' is the first of four albums derived from the Miles Davis Quintet's fabled extended recording session on October 26, 1956; the concept being that the band would document its vast live-performance catalog in a studio environment, rather than preparing all new tracks for its upcoming long-player…
Miles Davis - The New Miles Davis Quintet (1955) [DCC, GZS-1100]

Miles Davis - The New Miles Davis Quintet (1955)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
1996 | DCC, GZS-1100 | ~ 174 or 98 Mb | Scans Included
Jazz, Cool Jazz, Bop, Hard Bop

The New Miles Davis Quintet made its first visit to the recording studios on November 16, 1955. By October 26, 1956, when they made their last session for Prestige, Davis had signed with recording giant Columbia, he had featured the most influential band in all of jazz (which would spawn the most charismatic musician of the '60s), and was well on his way toward international stardom…