Laurie Anderson's third proper studio album, coming over five years after 1984's Mister Heartbreak (1986's Home of the Brave was a film soundtrack), is a near-total departure from anything she had done before or, indeed, anything she did after. The most purely musical of Anderson's albums and the one on which she does the most actual singing (though her trademark deadpan spoken-word passages are still present and accounted for), Strange Angels seems to be Anderson's idea of a straightforward pop album.
It's not at all surprising that Laurie Anderson would make a film dealing with grief and loss, especially as one of her first major projects after the death of her husband Lou Reed. But instead of offering a tribute to her late spouse, Anderson chose to make a film that dealt with another departed loved one: her dog. Her 2015 film, Heart of a Dog, is loosely centered around her experiences with her dog Lolabelle, a rat terrier who was adopted by the artist after being given up by a family going through a divorce.
In 1918, with her husband working in the War office - and subsequently leaving the family - devoted mother Annie Lee takes her step-daughters and her own children to live in the idyllic