Based on the novel by Leopold Sacher-Masoch "Venus In Furs" (updated to the 60s) this fine film follows the perverted passions of a young couple as Severin (Régis Vallée) watches the beautiful Wanda (Laura Antonelli) writhing naked amongst furs. His passion triggers off a whirlpool of emotions due to a childhood episode which punishes voyeurism with pain.
Based on the infamous novel by Leopold Sacher-Masoch this fine film follows the perverted passions of a young couple as Severin watches the beautiful Wanda writhing naked amongst furs. His disturbing peeping tomism triggers off a whirlpool of emotions due to a childhood episode which punishes voyeurism with pain.
Mindflower is the brain/soulchild of Fabio Antonelli along with Fabrizio Defacqz and Alberto Callegari. Various albums have featured a host of other musicians but these three have been the core group. "The Art of Dreams in a Little Bottle" was released under the moniker of Fabio Antonelli Ensemble, but as far as the RPI team is concerned, as well as the presentation on the artist's website will acknowledge, the album can easily be included on the artist page of Mindflower….
After a five-year hiatus, singer/songwriter Laura Nyro returned with Smile in 1976. On this disc, Nyro's somewhat idiosyncratic writing and performance style is decidedly subdued. In its stead is a light pop and jazz feel similar to that of Maria Muldaur's mid-'70s recordings. Supporting Nyro instrumentally is virtually a who's who of New York and Los Angeles studio stalwarts. While the prowess of folks like Will Lee (bass), brothers Randy Brecker (trumpet) and Michael Brecker (flute/sax), Hugh McCracken (guitar), and Rick Marotta (drums) certainly strengthens Nyro's already laid-back material, it likewise reduces her to sounding like a Joni Mitchell ripoff. The undeniable highlight of Smile is the maturity in the songwriting. It becomes obvious that the half-decade away has done some significant good in revealing a decidedly positive evolution in Nyro's approach to her own life. What's more is that the material on this album seems to come from a place of contentment.
This ten-track budget-priced collection, excerpted and resequenced from a longer version released in Japan, presents Laura Nyro at the piano along with a female vocal trio, performing a combination of the hit songs she penned, some 1950s and '60s hits of others she loved, and some of her newer material of the early 1990s. Four rock & roll oldies, the Shirelles' "Dedicated to the One I Love," the Miracles' "Ooh Baby Baby," Dionne Warwick's "Walk On By," and the Everly Brothers' "Let It Be Me," are interrupted by three of Nyro's own oldies, "And When I Die," "Save the Country," and "Wedding Bell Blues." This abbreviated version of the set then concludes with three then-recent songs, "Light a Flame (The Animal Rights Song)," "Louise's Church," and "Woman of the World," songs that continue to seem more preachy and less personal than her earlier work.