Gold is a 2005 greatest hits collection from hard rock band KISS. This two-disc set covers the band's recordings from 1974 to 1982. KISS Gold (2008 Japanese exclusive limited edition 40-track digitally remastered 2-disc SHM-CD album set.
"Physical" and "Make a Move on Me" were brilliant singles from 1981's Physical album, and they achieved their status as timeless pop classics without the help of a Xanadu soundtrack. "Overnight Observation" from Soul Kiss doesn't come close to the magic of those radio gems. It, like the front and back cover photos, seems a bit contrived, as does much of this album. "You Were Great, How Was I?" is a duet with Carl Wilson, and features he and Christopher Cross providing authentic Beach Boys harmonies.
This album has everything a KISS album should have:hard rock anthems, fast-fingured guitar solos, explosive lyrics, heart-felt power balads and the fun spirit of KISS. If I were to recommend a KISS album to anyone it would be this one simply because its just a really fun album that has something for metal fans as well as ballad loving folks…
Of the four Kiss solo albums released in 1978, Paul Stanley's was the most Kiss-like. While Gene Simmons and Peter Criss decided to use the opportunity to explore other musical styles, Stanley–like guitarist Ace Frehley–chose to stick to what he did best. A few tracks are of a more epic nature, such as "Tonight You Belong to Me" and "Take Me Away (Together as One)," but for the most part, PAUL STANLEY is just good old straightforward rock & roll. "Move On," "Wouldn't You Like to Know Me," "It's Alright," "Love in Chains," and "Goodbye" are all hard rockers, while the more serene numbers, "Ain't Quite Right" and "Hold Me, Touch Me," fit in with the rest quite well.
With personnel changes and neglect from a key member of the band, it's amazing ANIMALIZE turned out as well as it did. This record shows Kiss was able to rise above all the groups who copied a style of music that Kiss originated.
After LICK IT UP, "creative differences" pushed lead guitarist Vinnie Vincent out and speed demon Mark St. John in. Without missing a lick, St. John was able to fill Vincent's shoes admirably. Also around this time, Gene Simmons decides to try his hand at acting, starring in such films as "Runaway" and "Wanted Dead Or Alive". Thus, he is listed as Associate Producer but in reality had minimal input. Producer Paul Stanley did a fine job putting his own personal technical stamp on the album. Stanley sings on "I've Had Enough (Into The Fire)," a fast and furious track with motivational lyrics. He also fills in on bass for Simmons on both singles, "Heaven's On Fire" and "Thrills In The Night." Lyrically, Simmon's songs reflect where he was in the 80's with titles like "Burn Bitch Burn" and "Murder In High Heels".
Verve 60th Anniversary Rare Albums SHM-CD Reissue Series. Reissue with SHM-CD format. Hip and groovy work from Phil – very different than both his earlier bop-heavy sides, and his freer European recordings – recorded with some great backings by Johnny Pate, the excellent Chicago soul arranger who also did some great soundtrack work! Pate's come up with some tight short tracks that have a nice groovy late 60s Verve feel – over which Woods solos angularly on alto, working amidst woodwinds by Jerome Richardson and Jerry Dodgion, piano by Herbie Hancock, trumpet by Thad Jones, and some light strings that trickle in and out from time to time.
Collection includes: Placebo (1996); Without You I'm Nothing (1998); Black Market Music (2000); Sleeping with Ghosts (2003); Meds (2006).
Keith Richards brings the third solo album for the first time since in 23 years. This Japanese edition exclusively features SHM-CD format + bonus track. Keith Richards took his time to complete Crosseyed Heart. It arrives 23 years after Main Offender, his last solo studio album, but also 11 years after A Bigger Bang, the last official Rolling Stones record, but Richards hasn't exactly been quiet in all those years. He helped Mick Jagger flesh out the leftover demos for expanded editions of Exile on Main St. and Some Girls – conspiracists argued some of the writing happened in the new millennium – and toured with the Stones on various anniversaries, but the feather in his cap was Life, the 2010 memoir that established Keith as a razor-sharp raconteur for the masses that may never have paid attention to Talk Is Cheap.