Handel Suite Harpsichord

Bach - Sinfonias, Handel - Suite No.9, Krebs - Partita No.2 - Anatoly Vedernikov

Bach - Sinfonias, Handel - Suite No.9, Krebs - Partita No.2 - Anatoly Vedernikov
CD | APE/MP3-320kbps+cue+log+cover | 256.0/144.9Mb | 1:10:07 | DENON 2005
J.S.Bach - English Suite No.3, Fugue in A minor BWV 944; Handel - Suite No.7 - A.Bachciev, piano

J.S.Bach - English Suite No.3, Fugue in A minor BWV 944; Handel - Suite No.7 - A.Bachciev, piano
MONO LP Conversion | APE/MP3-320kbps + cue + cover | no log | 122.9/87.6Mb | 43:52 | Melodija 1980

Handel: The Harpsichord Suites (1720) - Colin Tilney  

Posted by Jules Guillom at Oct. 14, 2007
Handel: The Harpsichord Suites (1720) - Colin Tilney

Handel: The Harpsichord Suites (1720) - Colin Tilney
1974 | 2 CDs (54'12 + 63'48) | Ape (+Cue) | Scans | 10 Files | 657 MB
Louis Couperin: The Complete Harpsichord Works - Richard Egarr (2011)

Louis Couperin: The Complete Harpsichord Works - Richard Egarr (2011)
EAC Rip | Flac (Image + cue + log) | 4 CDs | Full Scans | 1.69 GB
Genre: Classical | Label: Harmonia Mundi | Catalog Number: 907511

Hailed for his “revelatory” account of Bach’s Well-Tempered Clavier (The New York Times), Richard Egarr turns to one of the least known collections for solo harpsichord. This complete recording of the solo oeuvre of Louis Couperin (c.1626-1661) revels in his full harmonic and contrapuntal textures, marked by a poignant use of dissonance – music that entrances the ear!
Emma Kirkby, Paul Nicholson - Handel: The Occasional Songs (2001)

Emma Kirkby, Paul Nicholson - Handel: The Occasional Songs (2001)
EAC | FLAC (image+.cue, log) | Covers + Digital Booklet | 76:10 | 369 MB
Genre: Classical, Vocal | Label: SOMM Recordings | Catalog: B00005LVXK

Here is a side of Handel unfamiliar even to those knowledgeable about his music. Most of this CD is devoted to miscellaneous songs in English‚ many of them published in his time on song sheets‚ or in journals‚ or given to friends‚ or intended for use in the theatre. They are‚ generally‚ in a more popular vein than his familiar music‚ and often in the style used by such composers as Arne or Boyce‚ or lesser men‚ in their English songs. The best of them‚ to my taste‚ are the theatre songs: ‘I like the amorous youth’ is a specially charming piece‚ and ‘Love’s but the frailty of the mind’‚ a Congreve setting made for the admired actress­singer Kitty Clive‚ is an exquisite and touching little song‚ especially when sung as beautifully as it is here by Emma Kirkby.
Sir Thomas Beecham & Royal Philharmonic Orchestra in Ascona, 1957: Beethoven, Handel, Delius, Sibelius (2000)

Ludwig van Beethoven - Symphony No.7; George Frideric Handel - Love in Bath: Ballet Suite
Frederick Delius - A Village Romeo and Juliet; Jean Sibelius - Alla marcia da: Karelia Suite
Royal Philharmonic Orchestra, conducted by Sir Thomas Beecham

EAC | FLAC | Image (Cue&Log) ~ 323 Mb (incl 5%) | Mp3 (CBR320) ~ 185 Mb (incl 5%) | Scans included
Genre: Classical | Label: AURA | # AUR 142-2 ADD | Time: 01:11:54

Beethoven reputedly wasn't Beecham's favorite composer, but you wouldn't know it from this performance; it's exceedingly well conceived, highly energetic, and has that unique Beecham sparkle to it. The fillers also are delightful. All recorded in Ascona, Switzerland in 1957.
Christopher D. Lewis, John McMurtery, Kevin Mallon - Philip Glass, John Rutter & Jean Francaix - Harpsichord Concertos (2013)

Philip Glass, John Rutter & Jean Françaix - Harpsichord Concertos (2013)
Christopher D. Lewis, harpsichord; John McMurtery, flute
West Side Chamber Orchestra, conducted by Kevin Mallon

EAC | FLAC | Image (Cue&Log) ~ 356 Mb (incl 5%) | Mp3 (CBR320) ~ 190 Mb (incl 5%) | Scans included
Genre: Classical | Label: Naxos | # 8.573146 | Time: 01:04:00

Attracted by a delightful fusion of early music sonorities with modern expressiveness, the three composers in this amazingly rich and varied programme build on the magnificent harpsichord concerto legacy of JS Bach. John Rutter’s beautiful Suite Antique is full of rich and haunting themes, with a significant solo flute part and a jazzy Waltz which is as much Brubeck as Bach. Philip Glass delivers an exciting experience of virtuoso instrumental blending and solo expressiveness, and with typical wit and elegance. Jean Françaix’s Concerto is terrific fun throughout.
Barocktrompeten Ensemble Berlin, Johann Plietzsch - Mr. Handel's Trumpeters (2015) [TR24][OF]

Barocktrompeten Ensemble Berlin, Johann Plietzsch - Mr. Handel's Trumpeters
Classical | FLAC (tracks) 24-bit/88.2 kHz | 57:23 min | 0.98 GB | Digital booklet
Label: Raumklang | Tracks: 33 | Rls.date: 2015

George Frideric Handel had an outstanding trumpeter in his orchestra: Valentine Snow. "Mr. Handel's Trumpeter," as he was later called, inspired Handel to write numerous tailor-made trumpet parts for him. In contrast to his contemporaries, Handel was interested less in virtuosity, than in mellifluous sound and dramatic effect, as reflected in the pieces on this CD. The point of departure for the recording is provided by the trumpet music of Purcell and his contemporaries, music that clearly displays Italian influence and formed the foundation for Handel's compositions.
Ralph van Raat - Gavin Bryars: Piano Concerto (The Solway Canal); After Handel’s Vesper; Ramble On Cortona (2011)

Gavin Bryars - Piano Concerto (The Solway Canal); After Handel’s Vesper; Ramble On Cortona (2011)
Ralph van Raat, piano; Cappella Amsterdam, Netherlands Radio Chamber Philharmonic, Otto Tausk

EAC | FLAC | Image (Cue&Log) ~ 216 Mb (incl 5%) | Mp3 (CBR320) ~ 152 Mb (incl 5%) | Scans included
Genre: Contemporary Classical | Label: Naxos | # 8.572570 | Time: 00:52:39

The emotional content, lyricism and direct appeal of Gavin Bryars’s music are unique, reflecting a contemporary composer’s absorption and transformation of several centuries of musical craftsmanship in order to reflect his, and our, own epoch. Originally written for harpsichord, After Handel’s Vesper is a strong illustration of Bryars’s post-minimal interests in early music repertoire. Ramble on Cortona, derived from 13th-century music, makes expressive use of the piano’s resonant qualities, while in the highly-coloured, almost impressionistic The Solway Canal, landscapes pass by as if in a dream.
Steven Isserlis, Richard Egarr - Gamba Sonatas: Bach, Handel, Scarlatti (2015)

Steven Isserlis, Richard Egarr - Gamba Sonatas: Bach, Handel, Scarlatti (2015)
EAC | FLAC | Image (Cue&Log) ~ 349 Mb (incl 5%) | Mp3 (CBR320) ~ 146 Mb (incl 5%) | Scans included
Genre: Classical | Label: Hyperion | # CDA68045 | Time: 00:59:48

Steven Isserlis and Richard Egarr here assemble all the viola da gamba sonatas written by three composers born in the propitious year of 1685: one each by Handel and Domenico Scarlatti, and three by JS Bach. Isserlis plays them on the gamba’s modern cousin, the cello, and the microphone loves his playing, picking up all the nuances and scampering asides from his soft-spoken instrument which can sometimes get lost in big concert halls. Egarr on harpsichord matches Isserlis’s eloquence and rambunctious energy all the way. The dreamy, airy slow movement of Bach’s Sonata in G minor brings telling use of vibrato as Isserlis circles around Egarr, his playing at once idiomatic and soulful. An extra cellist reinforces the bass line in the Handel and Scarlatti, in which the composers give the harpsichordist only a framework; Egarr’s imaginative realisations ensure that even when Scarlatti is at his most repetitive, he is never dull.