Haas

Monique Haas - Monique Haas Complete Recordings on Deutsche Grammophon (2006) (8CD Box set)

Monique Haas - Monique Haas Complete Recordings on Deutsche Grammophon (2006)
EAC Rip | FLAC (tracks+.cue, log) | Booklet | 2084 mb | MP3 CBR 320kbps | RAR | 1425 mb
Classical | Label: Deutsche Grammophon, Catalog #: 689502

It may be rash to claim that the French pianist Monique Haas (1909-1987) never made a bad recording, but you won't find one among her complete DG sessions. Dating from the late 1940s up to 1965, the recordings have been transferred from scratch, and they sound remarkably well for their respective vintages. The repertoire is diverse and unhackneyed, ranging from Mozart piano duets (with Heinz Schröter) and K. 449 and K. 488 concertos, rare Haydn gems (the E-flat Arietta with Variations and the Fantasia in C major), and the Stravinsky Capriccio, to Hindemith's Concert Music for piano, brass and harps (with the composer conducting), and a substantial sonata by Marcel Mihalovici (the pianist's husband) featuring violinist Max Rostal.

Matt Chamberlain & Brian Haas - Prometheus Risen (2016)  Music

Posted by funkerman at Oct. 10, 2016
Matt Chamberlain & Brian Haas - Prometheus Risen (2016)

Matt Chamberlain & Brian Haas - Prometheus Risen (2016)
Jazz | MP3 320 kbps | 41:32 | ~101 Mb
Label: The Royal Potato Family | Tracks: 11 | Rls.date: 2016

Out in the high desert of Santa Fe, New Mexico, some 7,500 feet above sea level in the foothills of the majestic Sangre de Christo Mountains, strange and wonderful things were bubbling up when keyboardist Brian Haas and drummer Matt Chamberlain met in the magical adobe style Frogville Studios for three days of unadulterated improvisation. Unlike their previous collaboration, 2013's Frames, which was meticulously through-composed by Haas and performed with exacting precision by the duo, their second recording together, Prometheus Risen, is a free-flowing, no-holds-barred, in-the-moment encounter based on daredevil instincts, a shared arranger's aesthetic and mutual trust.

Arno Haas - Back To You (2015) {Mochermusic}  Music

Posted by tiburon at March 30, 2016
Arno Haas - Back To You (2015) {Mochermusic}

Arno Haas - Back To You (2015) {Mochermusic}
EAC 1.1 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 366MB + 5% Recovery
MP3 CBR 320 Kbps | 148MB + 5% Recovery
Genre: Fusion, Jazz-Funk

Black-Forest-born Arno Haas released his debut album Magic Hands in 2013 receiving high accolades by critics. His sophomore album Back To You is scheduled for release on October 22, 2015 on Mochermusic. The album starts full throttle with the title song Back To You. Perfectly arranged by Tom Saviano supports the brass group saxophonist Arno Haas. A treat for fans of cultivated jazz music with the emphasis on horns.
Pavel Haas Quartet - Schubert: String Quartet No 14 "Death and the Maiden," String Quintet (2013)

Pavel Haas Quartet - Schubert: String Quartet No 14 "Death and the Maiden," String Quintet (2013)
EAC Rip | Flac (Image + cue + log) | 449 MB | MP3 320Kbps CBR | 236 MB | 2 CDs | Full Scans
Genre: Classical | Label: Supraphon | Catalog Number: 4110

The highly anticipated new recording from the Gramophone Recording of the Year winners in 2011. Two years on from their award winning Dvorak album, the Pavel Haas Quartet turn their attention to Schubert’s two late masterpiece. The String Quartet in D minor has a sort of dark cipher encoded within. The title “Death and the Maiden” reflects the quotation from Schubert’s eponymous song in the second movement. The theme of death is also underlined by other quotations and the choice of the key of D minor, which according to the period definition is characterised by “heavy-hearted womanliness, spleen and foreboding”.

Georg Friedrich Haas - Works for Ensemble (2009)  Music

Posted by wolfy13 at March 17, 2011
Georg Friedrich Haas - Works for Ensemble (2009)

Georg Friedrich Haas - Works for Ensemble
XLD Rip | FLAC+CUE+LOG | Cover | 63:44 | 267 MB
20th/21st Century Classical - Contemporary | 2009 | Neos
Magical Worlds of Sound - Crumb - Gervasoni - Haas - Makrokosmos Quartet (2007)

Magical Worlds of Sound - Crumb - Gervasoni - Haas - Makrokosmos Quartet
XLD Rip | FLAC+CUE+LOG | Cover | 71:34 | 227 MB
20th/21st Century Classical - Contemporary | 2007 | hat[now]ART
J. Hanuš, P. Eben, P.  Haas – Risonanza (Veverka, Englichová, Kahánek)

J. Hanuš, P. Eben, P. Haas – Risonanza (Veverka, Englichová, Kahánek)
EAC Rip | FLAC tracks + CUE, LOG | TT 70:42 | cover (jpg) included | 243 MB
Piano: Ivo Kahánek, oboe: Vilém Veverka, harp: Katerřna Englichová
Recorded 2009 | Released 2009 | Supraphon

Modern Czech music for oboe, harp & piano
Antonín Dvořák - String Quartets: Op. 106 and the "American" / Pavel Haas Quartet (2010)

Antonín Dvořák - String Quartets: Op. 106 and the "American" / Pavel Haas Quartet (2010)
EAC Rip | FLAC tracks + CUE, LOG | TT 63:14 | cover (jpg) included | 313 MB
Recorded 2010 | Released 2010 | Supraphon

The most popular Dvořák’s chamber repertoire performed by one of the world’s most exciting string quartets.
Bruckner: Symphony No. 7 in E major (ed. Haas) - Berliner Philharmoniker; Herbert von Karajan

Anton Bruckner: Symphony No. 7 in E major (1885 ed. Robert Haas) – Berliner Philharmoniker; Herbert von Karajan
Classical | 1 CD | EAC Rip | 311 MB | FLAC+LOG+Cue | Full scans | RS links
Publisher: EMI Classics

‘Glowing' is also an apt word with which to describe this account of the Seventh. Very much sue generis, this is arguably the most purely beautiful account of the symphony there has ever been on record.
Richard Osborne, The Gramophone, 1997
Georg Friedrich Haas: in vain, for 24 instruments (Kairos, 2003)

Georg Friedrich Haas - in vain, for 24 instruments (2003)
classical / avant-garde | FLAC, no cue, no log | 260 MB, RS
Label: Kairos 0012332KAI | Time: 63:11

Georg Friedrich Haas' style recalls that of György Ligeti in its use of micropolyphony, microintervals and exploitation of the overtone series. Haas' "In Vain, for 24 instruments" is an outrageously successful example of layer upon layer of serialistic leitmotifs that cannot be singled out, as if they were phobic to 'empty spaces'. Haas' leitmotifs are to be grasped massively as they are intended to overpopulate the space they occupy not with hints (à la Nørgaard) but with their very bodily presence, explicit and assertive.