Already Free is the ninth studio album by The Derek Trucks Band. It was released in the US on January 13, 2009 by Legacy Recordings. The album has received very positive reviews, and debuted at #19 on the Billboard Top 200 reached #1 on the blues chart, #1 on the Internet chart, and #4 on the Rock chart. This marks the band's highest debut on the Billboard Top 200 chart to date. The album won the 2010 Grammy Award for Best Contemporary Blues Album, marking the band's first Grammy award. The first single, "Down in the Flood", was released on November 4, 2008. Guest musicians include Doyle Bramhall II, Oteil Burbridge, Susan Tedeschi, and Eric Krasno (of Soulive). The song "Back Where I Started" was co-written by Trucks with fellow Allman Brothers Band guitarist Warren Haynes.
The defining characteristic of any given jazz musician is frequently his sound. The more control a player has over the nature of that sound, the more likely he is to project a distinctive musical personality.
Beau Williams (born January 6, 1950) is an American gospel singer from Texas. Through Light Records he released an album Wonderful, whose title track became a number one gospel hit. Williams' albums with Capitol Records include a self-titled album in 1982, Stay With Me (1983), Bodacious! (1984), No More Tears (1986).
Official Release #85. This triple volume package contains an audio documentary tracing the conception and construction of Frank Zappa's We're Only in It for the Money (1968) and Lumpy Gravy (1968) masterworks. As the second entry in the Project/Object series (the first being the MoFo Project/Object in 2006 that gathered four CDs worth of goodies from the Freak Out! era), the modus operandi for Lumpy Money (2009) remains much the same as its predecessor. Presented within are primary components from both works in several unique – and formerly unissued – incarnations and configurations. It should also be noted that neither of Zappa's mid-'90s approved masters for We're Only in It for the Money or Lumpy Gravy are found here. Instead of retreading those – which (as of this 2009 writing) remain in print on the Rykodisc label – the nearly three-and-a-half hours served up here offer an embarrassment of insight into the development of the music, as well as the modular recording style that Zappa was evermore frequently incorporating into his craft.
Judith is American singer and songwriter Judy Collins' 12th studio album, released in 1975 by Elektra Records. It peaked at #17 on the Billboard Pop Albums chart, and is her best-selling studio album to date, achieving Platinum status in the mid 1990s. Collins received a Grammy Award nomination for Best Pop Vocal Performance, Female for her cover of Stephen Sondheim's "Send in the Clowns". Sondheim won the Grammy Award for Song of the Year that same year, based on the popularity of Collins' performance of the song on this album. The single peaked at #36 on Billboard's Pop singles chart in 1975, and then reentered the chart in 1977, reaching #19; it spent a total of 27 non-consecutive weeks on this chart.
A spinoff of its parent magazine, Classic Rock Presents Prog takes a look at progressive music and the artists who weave them together. Each issue takes a soul-searching foray into the hearts and minds of the heroes of rock, reviewing both new and old releases. Building upon the history of some of the most genre-defining pieces ever devised and those who followed who continue to refine, revolutionise and completely discard the formulas of those who came before. Reflecting on the proud genesis of this unexpected genre, Classic Rock Presents Prog is an able tutor for those in the dark about the evolution of progressive music, and a tonic for existing fans.