Eleni Karaindrou’s collaborations with stage director Antonis Antypas have generated some of her most powerful music. Medea, like the earlier Trojan Women, comes out of this association. Recorded at the Ancient Theatre of Epidaurus, the music vibrates with emotional intensity. Karaindrou gives her themes to a small ensemble, its sound-colours creating an ambiance both archaic and contemporary, as textures of santouri, ney, lyra and clarinets are combined and contrasted.
Improvisation on the keyboard was very much expected of the leading classical musical minds in earlier years. And what came about was framed by the compositional practices of the time. So Johann Sebastian Bach might improvise elaborate fugues based on a particular theme; Mozart was known to create brilliant variations spontaneously on a theme given to him at the spur-of-the-moment. Fantasias were possible and were another, more free option, but of course what came out was something the composer might have more carefully worked over in a formal composition. There were definite resonances between the improvised and the composed.
Seit 2007 ist das Pulsar Trio aktiv. In der ungewöhnlichen Besetzung mit Klavier, Schlagzeug und Sitar spielen sie Instrumentalmusik, die um die indische Sitar kreist. 2012 spielten sie ihr Debütalbum “Erpelparka-Suite” ein. Nun haben sie bei t3 Records “Caethes Traum” veröffentlicht.