130-track CD/DVD set comprising of 11 CD albums each with it's own distinct musical style which showcases his passion for the guitar, plus a DVD for the 'Stony Road' album. Having created the cover of Stony Road and interpreted the cover of The Blue Juke Box the close relationship between Chris Rea's music and his painting was defined. This relationship was clearly leading in one direction, a ground-breaking idea to link the two driving forces in his life. The idea of Blue Guitars was born. Eleven albums from Chris Rea in one book pack, 130 brand new Chris Rea songs inspired by the blues ranging globally across all his own interpretations of this musical form, songs that Chris believes are some of his best to date.
DVD One: Mississippi Delta meets Memphis country and goes electric! Jim Weider shows how the most influential electric blues and country guitarists got their powerful sounds. Includes the Delta, Louisiana and Cajun-inflected tones of James Burton, Roy Buchanan, Muddy Waters, Lonnie Mack, Keith Richards, Jerry Reed, and others, plus technique building exercises and ideas, and jam-alongs with the band. 90-MIN.
This DVD lesson has been designed to help beginner and intermediate students of fingerpicking country blues guitar improve their playing skills and increase their repertoires using an alternating bass technique. Stefan Grossman illustrates and explains in detail ten fingerstyle arrangements in the keys of C, D, E, A, G and F. These popular blues and ragtime songs come from the playing of Mississippi John Hurt, Rev. Gary Davis, Mance Lipscomb and Elizabeth Cotten. Each tune is discussed and taught phrase by phrase and played slowly on a split screen so that you can clearly see what each hand is doing. A detailed 44 page tab/music booklet is included with this lesson. Tunes include: My Creole Belle, Louis Collins, Oh Babe Ain't No Lie, All My Friends Are Gone, See See Rider, Sugarbabe, Monday Morning Blues, Candyman, Sister Kate and The F Rag.
In 1959, John Lee Hooker signed a one-off deal with the Riverside label to record an acoustic session of the country blues. It was a key change from his earlier recordings, most of which had featured Hooker on an electric guitar with his trademark reverb and stomping foot. Folk purists of the day were delighted with COUNTRY BLUES, believing Hooker had returned to his roots, leaving the "glitzy commercialism" of R&B behind. But some Hooker fans considered COUNTRY BLUES a "betrayal" of his true sound.
A long-lost British blues collectors’ piece, finally re-issued just in time for its 40th anniversary. With two bonus tracks. At the height of the British blues boom in the late 1960s, a handful of musicians emerged who reinterpreted the acoustic country blues of the 1920s and ’30s. Championed by Radio 1 DJs John Peel, Mike Raven and Alexis Korner, and the music press of the day like Melody Maker, the most successful names were soon snapped up by major labels. In the winter of 1968/’69, Ian Anderson assembled a lively country blues band for his debut album Stereo Death Breakdown…
Open tunings have always been an integral part of the Country Blues Guitar tradition. In this approach the guitar is tuned to a full chord. Most blues players began playing the guitar in an open tuning as it made playing much easier yet gave the guitar a much stronger and richer sound. For a minimum of effort you can produce a maximum of sound, rhythm and music.