Barry Williams

Peter Gabriel - The Barry Williams Show  Music

Posted by Oksana_m at Nov. 6, 2016
Peter Gabriel - The Barry Williams Show

Peter Gabriel - The Barry Williams Show (2002)
EAC | Flac(Image) + Cue + Log > 176 Mb | Mp3 CBR 320Kpbs > 71 Mb
Prog Rock, Electronica | TT - 24:32 | Label: Virgin/Realworld | Cat. # PGSCD 13 | EU
Scans (Jpg) Included | NitroFlare, FileFactory

The first single from Up is a strange one. The lyrics are dated (about the evils of exploitative talk shows), and the vocals are a bit stilted, but the music is cool and funky…
LOVE Advent 2016: Day 5 - Kendall Jenner by Hype Williams

LOVE Advent 2016: Kendall Jenner by Hype Williams
MP4 | 1280*720 | AVC@1452 Kbps | AAC@192 Kbps | 1 min | 14 MB
American tv personality

Megan Williams - Free People Collection 2016 Set 6  Girls

Posted by guasman at Dec. 6, 2016
Megan Williams - Free People Collection 2016 Set 6

Megan Williams - Free People Collection 2016 Set 6
56 JPG | 2640x3960 | 60 mb
British model

Fedau Wallace by Rik Williams for NIF Magazine  Girls

Posted by nrg at Dec. 6, 2016
Fedau Wallace by Rik Williams for NIF Magazine

Fedau Wallace - Rik Williams Photoshoot 2016
11 jpg | up to 3285*2190 | 2.76 MB
Toronto based model

Michelle Williams - Ryan McGinley Photoshoot 2016  Girls

Posted by nrg at Dec. 4, 2016
Michelle Williams - Ryan McGinley Photoshoot 2016

Michelle Williams - Ryan McGinley Photoshoot 2016
11 jpg | up to 1536*1960 | 5.52 MB
American actress

Barry Gibb - In The Now (2016) [Japan 1st Press, Blu-spec CD2]  Music

Posted by Andi_Deris at Dec. 1, 2016
Barry Gibb - In The Now (2016) [Japan 1st Press, Blu-spec CD2]

Barry Gibb - In The Now (2016) [Japan 1st Press, Blu-spec CD2]
EAC Rip | FLAC: Image+Cue+Log | 473 Gb | MP3 CBR 320 kbps | 175 Mb | Scans | 139 Mb | Time: 01:05:17
Sony Music Labels Inc. | SICP-30889
Soft Rock, Pop Rock, R&B, Country, Singer-songwriter

IN THE NOW is the second solo album by British singer-songwriter Barry Gibb, released on 7 October 2016 by Columbia Records. Although his second solo album (since 1984's Now Voyager), it is the first of all new material since the Bee Gees' final studio album This Is Where I Came In (2001). Gibb said of the album: "This is a dream come true for me. It's a new chapter in my life. I always hoped one day that The Bee Gees would be with Columbia or indeed Sony so, it's a great joy for me to start again this way with such great people."

LOVE Advent Teaser by Hype Williams  Girls

Posted by nrg at Nov. 30, 2016
LOVE Advent Teaser by Hype Williams

Teaser of 2016's Christmas calendar from LOVE Magazine
MP4 | 1280*720 | AVC@1503 Kbps | AAC@126 Kbps | 55 s | 11 MB
Various models
Michelle Williams by Dusan Reljin for Marie Claire Indonesia March 2016

Michelle Williams - Dusan Reljin Photoshoot 2015
4 jpg | up to 1922*1440 | 1.33 MB
American actress

Linda Williams - Environmental Science Demystified [Repost]  eBooks & eLearning

Posted by rotten comics at Nov. 25, 2016
Linda Williams - Environmental Science Demystified [Repost]

Linda Williams - Environmental Science Demystified
2005 | ISBN: 0071453199 | English | 427 pages | PDF | 3.1 MB
Hilary Hahn, London SO, Sir Colin Davis - Edward Elgar: Violin Concerto; Ralph Vaughan Williams: The Lark Ascending (2004)

Edward Elgar: Violin Concerto; Ralph Vaughan Williams: The Lark Ascending (2004)
Hilary Hahn, violin; London Symphony Orchestra; Sir Colin Davis, conductor

EAC | FLAC | Tracks (Cue&Log) ~ 306 Mb (incl 5%) | Mp3 (CBR320) ~ 159 Mb (incl 5%) | Scans ~ 70 Mb
Genre: Classical | Label: Deutsche Grammophon | # 00289 474 5042 | Time: 01:06:04

Elgar’s Violin Concerto has a certain mystique about it independent of the knee-jerk obeisance it has received in the British press. It probably is the longest and most difficult of all Romantic violin concertos, requiring not just great technical facility but great concentration from the soloist and a real partnership of equals with the orchestra. And like all of Elgar’s large orchestral works, it is extremely episodic in construction and liable to fall apart if not handled with a compelling sense of the long line. In reviewing the score while listening to this excellent performance, I was struck by just how fussy Elgar’s indications often are: the constant accelerandos and ritards, and the minute (and impractical) dynamic indications that ask more questions than they sometimes answer. No version, least of all the composer’s own, even attempts to realize them all: it would be impossible without italicizing and sectionalizing the work to death.