24bit Flute

Barney Kessel - Contemporary Latin Rhythms! (1961) {2013 Japan Jazz Best Collection 1000 Series 24bit Remaster}

Barney Kessel - Contemporary Latin Rhythms! (1961) {2013 Japan Jazz Best Collection 1000 Series 24bit Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 209 Mb | MP3 @320 -> 73 Mb
Full Artwork @ 600 dpi (jpg) -> 73 Mb | 5% repair rar | 24-bit remaster
© 1961, 2013 Reprise / Warner Japan / WEA / Rhino | WPCR-27277 | Jazz Best Collection 1000 Series
Jazz / Cool / West Coast Jazz / Bossa Nova / Latin Jazz / Bop / Guitar

Features 24 bit remastering and comes with a mini-description. A wonderful set from Barney Kessel – bossa-inflected jazz, and a wonderful setting for Barney to hit some very groovy lines on electric guitar ! The group on the date is part of the strength of the record – with Conte Candoli on trumpet, Emil Richards on vibes, Paul Horn on flute, and Victor Feldman on piano – with loads of great percussion and guitar interplay on the set, plus some excellent use of flute and vibes – all of which makes for the sort of session that really translates the Brazilian groove into the best sort of sound the LA scene was cutting at the time ! Nice, light, and dancing rhythms – and titles that include "Love", "Days Of Wine & Roses", "Latin Dance #1", "Lady Byrd", and "One Note Samba".
Gwendal ‎– Gwendal (1974) Pathé Marconi EMI/2C 064-12725 – 1st FR Pressing - LP/FLAC In 24bit/96kHz - ONLY RE-POST

Gwendal ‎– Gwendal
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Label: Pathé Marconi EMI | Release: 1974 | Genre: Progressive-Folk

Essential: a masterpiece of progressive rock music.
Gwendal and they first self-titled LP released in 1974, in my opinion one of they best works.
La Bamboche ‎– Quitte Paris (1977) Hexagone/883 012 - 1st FR Pressing - LP/FLAC In 24bit/96kHz - ONLY RE-POST

La Bamboche ‎– Quitte Paris
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz / 900mb
Label: Hexagone/883 012 | Release: 1977 | Genre: Celtic-Folk

Excellent addition to any celtic-folk music collection.
La Bamboche ‎- Jeu À Monter Sans Colle (1976) Hexagone/883 005 - 1st FR Pressing - LP/FLAC In 24bit/96kHz ONLY RE-POST

La Bamboche ‎– Jeu À Monter Sans Colle
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz / 900MB
Label: Hexagone/883 005 | Release: 1976 | Genre: Celtic-Folk

La Bamboche is a french folk group Lyon's origin (amateur departure)…
La Bamboche ‎– La Bamboche (1974) Hexagone/883 003 - 1st FR Pressing - LP/FLAC In 24bit/96kHz - ONLY RE-POST

La Bamboche ‎– La Bamboche
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz / 900mb
Label: Hexagone/883 003 | Release: 1974 | Genre: Celtic-Folk

Excellent addition to any celtic-folk music collection.
Shadowfax - Shadowdance (1983) Windham Hill Records/WH-1029 - 1st US Pressing - LP In 24bit/96kHz - ONLY RE-POST

Shadowfax - Shadowdance
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Label: Windham Hill Records/WH-1029 | Release: 1983 | Genre: Jazz-Fusion

Excellent addition to any rock music collection.
Shadowdance confidently strides into the Windham Hill catalog with the showstopping New Electric India, electric guitar and thundering bass resounding.
The Chieftains – The Chieftains (1964) Island Records/ILPS 9364 – US Pressing - LP/FLAC In 24bit/96kHz

The Chieftains – The Chieftains
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Label: Island Records/ILPS 9364 | Released: 1964 | US Issue: 1976 | Genre: Irish-Folk

The debut album by the Chieftains, recorded when they were still a semi-professional outfit, is more restrained than their subsequent efforts. The opening number introduces each of the bandmembers, Paddy Moloney and Sean Potts on pipes, followed by Michael Tubridy on flute and David Fallon on bodhran, Martin Fay on the fiddle, and then Tubridy on the concertina. The group would later acquire what can only be called a more soulful approach, but the playing here was a revelation at the time, if only for its stripped-down authenticity.
Anthony Williams - Spring (1965/2014) [Official Digital Download 24bit/192kHz]

Anthony Williams - Spring (1965)
FLAC tracks 24bit/192kHz | Front Cover | 1.5GB + 5% Recovery
Studio Master, Official Digital Download, Blue Note

Considering the extraordinary talent assembled for Tony Williams' second Blue Note date as a leader, this could have been a landmark session. Unfortunately, it's not. Spring isn't totally forgettable; on the contrary, the fire expected by members of the Miles Davis Quintet (Williams, Herbie Hancock and Wayne Shorter), all thoroughly influenced by "the new thing," were unleashed completely from Miles' tight rein. Add tenor saxophonist Sam Rivers and Albert Ayler bassist Gary Peacock into this mix and that influence thrived. However, the five Tony Williams compositions (including the drum only "Echo") often failed to provoke the musicians into reaching crucial unity, making Spring haphazard, falling short of the expected goal.
Anthony Williams - Spring (1965/2014) [Official Digital Download 24bit/96kHz]

Anthony Williams - Spring (1965)
FLAC tracks 24bit/96kHz | Front Cover | 816MB + 5% Recovery
Studio Master, Official Digital Download, Blue Note

Considering the extraordinary talent assembled for Tony Williams' second Blue Note date as a leader, this could have been a landmark session. Unfortunately, it's not. Spring isn't totally forgettable; on the contrary, the fire expected by members of the Miles Davis Quintet (Williams, Herbie Hancock and Wayne Shorter), all thoroughly influenced by "the new thing," were unleashed completely from Miles' tight rein. Add tenor saxophonist Sam Rivers and Albert Ayler bassist Gary Peacock into this mix and that influence thrived. However, the five Tony Williams compositions (including the drum only "Echo") often failed to provoke the musicians into reaching crucial unity, making Spring haphazard, falling short of the expected goal.
Galadriel – Galadriel (1971) Akarma/AK 158 – IT 180g Pressing - LP/FLAC In 24bit/96kHz

Galadriel – Galadriel
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Label: Akarma/AK 158 | Released: 1971 | This Issue: 2001 | Genre: Progressive-Rock

Excellent addition to any prog-rock music collection
Galadriel biography
The band’s sole legacy, a self-titled album released in 1971, is quite similar to myriads of obscure early 70’s rock bands with vague progressive leanings: blues based with elements of soft or folk-rock (JETHRO TULL-style for the flute), a bit of jazz and some hard rock.